If you’re a high schooler or college student, there’s a list of books and famous works you know you’re going to have to read at some point in your career. A Shakespeare play or two, some Hemingway or Faulkner, To Kill a Mockingbird so you can talk about how white people were nice enough to end racism. And these books are all great, and important to understanding the culture – white/Western/American culture that is. And while there’s some overlap between that and Latinx culture, what if you want to read the foundational texts of Latinidad? Below is a list of nine books that you can read in addition to (or, we don’t want to tell you not to do you your homework, buuuut…) the canonical texts on your curriculum.
And remember, the best part of making your own curriculum is debating and amending it, so have at it in the comments.
If you have to read: Catcher in the Rye by J.D. Salinger
Try: I Am Not Your Perfect Mexican Daughter by Erika L. Sánchez
Holden Caulfield is the classic disaffected teen, known for slouching around New York decrying phonies and having a depressive crisis. Julia, the protagonist of Erika L. Sánchez’s coming-of-age novel, wanders the streets of Chicago confronting the confines of the expectations her parents have for her life, while also confronting the mysteries of her recently deceased sister’s life. I Am Not Your Perfect Mexican Daughter takes the same anger and sadness around the limitations of relationships and the world that Holden Caulfield experiences, and filters them through the experiences of a Mexican teen girl growing up in America.
If you have to read: Ulysses by James Joyce
Try: Hopscotch by Julio Cortázar
James Joyce is best known for using not only stream-of-consciousness narration, but for his inventive use of language, making up words as they suited him and engaging in wordplay like puns and allusions. Cortázar uses similar structure and language to tell the story of a love affair between Horacio Oliveira and La Maga, a mysterious woman who comes in and out of the story. The book is almost structured like a choose-your-own adventure story, and the “Table of Instructions” invites you to plot your own path through the text.
If you have to read: Sound and the Fury by William Faulkner
Try: Pedro Paramo by Juan Rulfo
Spooky semi-abandoned agricultural towns, the dissolution of a once-grand family, innovations in prose styling – Pedro Paramo has a lot of the things that make Sound and the Fury great, and is one of the most influential books in Latin American lit to boot. With no lesser writers than Gabriel García Márquez, Jorge Luis Borges, and Valeria Luiselli describing this book as an inspiration to them, to read this work is to uncover some of the earliest roots of magical realism.
If you have to read: Beowulf
Try: Popol Vuh
Just as the Brits have their ancient epic poetry, so does Latin America have the Popol Vuh, a narrative by the K’iche’ people of (present-day) Guatemala telling their creation myths, and tales of warriors and heroes. Written down by a visiting missionary in about 1550, the Popol Vuh is one of the only remaining traces of what was once a vibrant oral tradition of storytelling in pre-Columbian America.
If you have to read:Shakespeare’s Sonnets
Try: the poetry of Sor Juana Inés de la Cruz
Shakespeare and Sor Juana were only divided by 100 years of history – while the Bard was writing love poems, comedies and tragedies around the late 1500s, the New Spanish nun was writing religious (and romantic!) poetry, philosophical essays, and theological tracts in the 1600s. Much like Shakespeare, she adhered to the formal structures of verse at the time – sonnets using meter and rhyme schemes. She, like Shakespeare, is also speculated to have hidden clues to her queerness in some of her writing; scholars have argued that some of her sonnets, addressed to “Lisi,” were about María Luisa Gonzaga Manrique de Lara, the wife of the Spanish Viceroy.
If you have to read: The Bell Jar by Sylvia Plath
Try: No One Will See Me Cry by Cristina Rivera Garza
The Bell Jar is a feminist classic about growing up, aimlessness, and depression, and a bulk of the book takes place with the main character in a psychiatric hospital. With No One Will See Me Cry, Rivera Garza takes us into La Castaneda, the infamous turn-of-the-century asylum in Mexico City, to follow the path of one of its inmates and the inmate photographer. Garza has been lauded as one of the best novelists working in Mexico by writers like Carlos Fuentes, and is becoming better known in the states.
If you have to read: Frankenstein by Mary Shelley
Try: Santa Evita by Tomás Eloy Martínez
While Evita’s corpse doesn’t come lurching back to life in Tomás Eloy Martínez’s novel, it’s not for lack of trying. This book, melding fact and fiction about Evita Perón, the wife of Argentina’s dictator, focuses not on her living biography but on the fate of her body after death. A madcap story with a zany cast of characters all trying to reclaim control of the corpse, much like Frankenstein, Santa Evita also raises deeper questions about death, legacy, and politics.
If you have to read: The Grapes of Wrath by John Steinbeck
Try: Signs Preceding the End of the World by Yuri Herrera
A migration across a vast, unwelcoming territory, the tensions of family, a wider arc of socio-political movement. Signs Preceding the End of The World treats migration into the United States in the same way that The Grapes of Wrath treats the Dust Bowl migrations of Oklahoma – by at once humanizing it and placing it within a greater context. Signs comes with the added benefit of being an absolutely fresh, vibrant modern novel.
If you have to read: The Prince by Niccolò Machiavelli
Try: El Señor Presidente by Miguel Ángel Asturias
Everything Machiavelli said to do, the title president in Asturias’ novel does. Written in the 1930s as a condemnation of Guatemalan dictator Manuel Estrada Cabrera, it’s one of the first novels written about life under a dictatorship, and the dangers everyday citizens faced. A modern classic, Asturias would later go on to win a Nobel prize in Literature, largely for this work.