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							<title>When Male Brazilian Rappers Went Corporate, Women Took Over the Genre</title>
							<link>https://remezcla.com/features/music/when-male-brazilian-rappers-went-corporate-women-took-over-the-genre/</link>
							<dc:creator><![CDATA[Paola Churchill]]></dc:creator>
							<pubDate>Tue, 31 Mar 2026 21:11:55 +0000</pubDate>
									<category><![CDATA[Music]]></category>
		<category><![CDATA[brazil]]></category>
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															<description><![CDATA[<p>In December 2025, Ebony walked onto the WME Awards stage, Billboard Brasil’s ceremony honoring women in music, eight years into her career, with three albums and 300 million streams under her belt, to receive a Revelation of the Year trophy. During her speech, she asked: “How much does a Black woman in rap need to</p>
<p>The post <a href="https://remezcla.com/features/music/when-male-brazilian-rappers-went-corporate-women-took-over-the-genre/">When Male Brazilian Rappers Went Corporate, Women Took Over the Genre</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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																		<media:title>Ebony_Ajuliacosta_Amabbi_Brazilian</media:title>
																												<media:text>Art by Stephany Torres for Remezcla.</media:text>
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							<title>Meet Tânia Maria, the Brazilian Actress from ‘The Secret Agent’ That Started Acting at 72</title>
							<link>https://remezcla.com/features/film/interview-tania-maria-brazilian-actress-the-secret-agent/</link>
							<dc:creator><![CDATA[Paola Churchill]]></dc:creator>
							<pubDate>Wed, 11 Mar 2026 21:04:47 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[Oscars 2026]]></category>
		<category><![CDATA[Tânia Maria]]></category>
		<category><![CDATA[The Secret Agent]]></category>
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															<description><![CDATA[<p>From Brazil to the Oscars.</p>
<p>The post <a href="https://remezcla.com/features/film/interview-tania-maria-brazilian-actress-the-secret-agent/">Meet Tânia Maria, the Brazilian Actress from ‘The Secret Agent’ That Started Acting at 72</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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																		<media:title>Dona Tania</media:title>
																												<media:text>Credit: Victor Jucá</media:text>
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							<title>Paranapiacaba: The Ghost Town Dubbed the Brazilian Silent Hill</title>
							<link>https://remezcla.com/features/culture/paranapiacaba-brazilian-ghost-town/</link>
							<dc:creator><![CDATA[Mariana Rosetti]]></dc:creator>
							<pubDate>Tue, 28 Oct 2025 21:28:46 +0000</pubDate>
									<category><![CDATA[Culture]]></category>
		<category><![CDATA[brazil]]></category>
		<category><![CDATA[halloween]]></category>
		<category><![CDATA[horror]]></category>
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															<description><![CDATA[<p>Paranapiacaba deserves to be known — for its fog, its stories, its singular architecture. But also its community.</p>
<p>The post <a href="https://remezcla.com/features/culture/paranapiacaba-brazilian-ghost-town/">Paranapiacaba: The Ghost Town Dubbed the Brazilian Silent Hill</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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																		<media:title>New Features Size</media:title>
																												<media:text>Pictured: Deserted street during the descent of the fog. The new wiring and traffic signs merge with the old, century-old wooden houses. Credit: Mariana Rosetti
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							<title>A New Generation of Indigenous Brazilian Artists Is Making Music on Their Own Terms</title>
							<link>https://remezcla.com/features/music/a-new-generation-of-indigenous-brazilian-artists-is-making-music-on-their-own-terms/</link>
							<dc:creator><![CDATA[Paola Churchill]]></dc:creator>
							<pubDate>Tue, 30 Sep 2025 19:05:53 +0000</pubDate>
									<category><![CDATA[Music]]></category>
		<category><![CDATA[brazil]]></category>
		<category><![CDATA[indigenous artists]]></category>
		<category><![CDATA[Our Heritage Month]]></category>
		<category><![CDATA[Our Heritage Month 2025]]></category>
							<guid isPermaLink="false">https://remezcla.com/?post_type=re_features&#038;p=441217</guid>
															<description><![CDATA[<p>When the singer Katú Mirim dropped “Bling Bling,” she used trap beats to critique gold exploitation in the Amazon rainforest. Like her, many indigenous artists across Brazil are reclaiming the spaces where they’ve never been welcome before. They’re on Spotify playlists, Grammy nomination lists, and major festival stages. They’re making trap, funk, and electronic music,</p>
<p>The post <a href="https://remezcla.com/features/music/a-new-generation-of-indigenous-brazilian-artists-is-making-music-on-their-own-terms/">A New Generation of Indigenous Brazilian Artists Is Making Music on Their Own Terms</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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																		<media:title>Indigenous Brazilian_</media:title>
																												<media:text>Art by Stephany Torres for Remezcla. </media:text>
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							<title>Jay Z Wanted AI Singer Tocanna’s Viral Song ‘São Paulo&#8217; Removed from Spotify – Here’s Why</title>
							<link>https://remezcla.com/music/jay-z-wanted-ai-singer-tocannas-viral-song-sao-paulo-removed-from-spotify-heres-why/</link>
							<dc:creator><![CDATA[Paola Churchill]]></dc:creator>
							<pubDate>Mon, 29 Sep 2025 21:01:01 +0000</pubDate>
									<category><![CDATA[Music]]></category>
		<category><![CDATA[AI]]></category>
		<category><![CDATA[TikTok]]></category>
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															<description><![CDATA[<p>There’s a viral song taking over TikTok right now: the irreverent “São Paulo.” You know, the one that says in Spanish that the singer can’t wait to have a sexy night in the Brazilian hotspot. But did you know that the AI-generated artist Tocanna sings it, and that rapper Jay Z is trying to get</p>
<p>The post <a href="https://remezcla.com/music/jay-z-wanted-ai-singer-tocannas-viral-song-sao-paulo-removed-from-spotify-heres-why/">Jay Z Wanted AI Singer Tocanna’s Viral Song ‘São Paulo&#8217; Removed from Spotify – Here’s Why</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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																		<media:title>Tocanna-</media:title>
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							<title>‘Frevo Is the Street’: How Queer Artists Are Reclaiming the Brazilian Genre</title>
							<link>https://remezcla.com/features/music/frevo-is-the-street-how-queer-artists-are-reclaiming-the-brazilian-genre/</link>
							<dc:creator><![CDATA[Paola Churchill]]></dc:creator>
							<pubDate>Wed, 25 Jun 2025 16:59:34 +0000</pubDate>
									<category><![CDATA[Music]]></category>
		<category><![CDATA[frevo]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[Pride 2025]]></category>
							<guid isPermaLink="false">https://remezcla.com/?post_type=re_features&#038;p=435938</guid>
															<description><![CDATA[<p>In Recife, the capital of Brazil’s northeastern state of Pernambuco, frevo isn’t just music or a Carnival tradition —&#160; it’s a political statement. For most of its 118 year history, frevo’s stages have been dominated by cis, heteronormative performers. These days, queer people are leading the change. LGBTQ+ artists are taking up space in the</p>
<p>The post <a href="https://remezcla.com/features/music/frevo-is-the-street-how-queer-artists-are-reclaiming-the-brazilian-genre/">‘Frevo Is the Street’: How Queer Artists Are Reclaiming the Brazilian Genre</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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																		<media:title>Frevo_</media:title>
																												<media:text>Art by Stephany Torres for Remezcla.</media:text>
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