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					<title>Remezcla</title>
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							<title>Death as a Business: How Documentaries Have Captured the Dangers of Being a Mexican Journalist</title>
							<link>https://remezcla.com/features/film/how-documentaries-have-captured-the-dangers-of-being-a-mexican-journalist-ambulante-2016/</link>
							<dc:creator><![CDATA[Sara Rafsky]]></dc:creator>
							<pubDate>Fri, 08 Apr 2016 18:25:57 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[ambulante]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[El Paso]]></category>
		<category><![CDATA[Everardo González]]></category>
		<category><![CDATA[journalism]]></category>
		<category><![CDATA[reportero]]></category>
		<category><![CDATA[The Man Who Saw Too Much]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?post_type=re_features&#038;p=175153</guid>
															<description><![CDATA[<p>Two documentaries playing Ambulante, 'The Man Who Saw Too Much' and 'El Paso,' give us a look at the grim state of journalism in Mexico.</p>
<p>The post <a href="https://remezcla.com/features/film/how-documentaries-have-captured-the-dangers-of-being-a-mexican-journalist-ambulante-2016/">Death as a Business: How Documentaries Have Captured the Dangers of Being a Mexican Journalist</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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