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	Comments on: Q&#038;A with director Jose Padilha	</title>
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		By: meram haber		</title>
		<link>https://remezcla.com/film/qa-with-director-jose-padilha/#comment-1451</link>

		<dc:creator><![CDATA[meram haber]]></dc:creator>
		<pubDate>Fri, 22 Apr 2022 07:32:17 +0000</pubDate>
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					<description><![CDATA[thank you]]></description>
			<content:encoded><![CDATA[<p>thank you</p>
]]></content:encoded>
		
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		<title>
		By: 6 Filmmaking Tips from José Padilha		</title>
		<link>https://remezcla.com/film/qa-with-director-jose-padilha/#comment-1419</link>

		<dc:creator><![CDATA[6 Filmmaking Tips from José Padilha]]></dc:creator>
		<pubDate>Sun, 14 Mar 2021 06:27:49 +0000</pubDate>
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					<description><![CDATA[[&#8230;] Padilha has also retained some of his documentary attitude with his narrative films. While there&#8217;s no way he can argue for narrative over documentary (his Bus 174 is still better than the decent remake, Last Stop 174), he does believe there are some benefits to pushing messages through in scripted films compared with docs. He told Remezcla in 2008: [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] Padilha has also retained some of his documentary attitude with his narrative films. While there&#8217;s no way he can argue for narrative over documentary (his Bus 174 is still better than the decent remake, Last Stop 174), he does believe there are some benefits to pushing messages through in scripted films compared with docs. He told Remezcla in 2008: [&#8230;]</p>
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