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The story is weird, but complex and awesome.
Five episodes into its third season, the show has built a surreal lucha world with Aztec mythology as its base and almost no idea strange enough to dismiss entirely. The show takes care to to tell its own stories while remaining respectful of the culture. Karl Toube, a Ph.D who specializes in Mesoamerican studies, worked with the producers to make sure they got it right. A standard episode has more in common with a regular television drama than it does with other wrestling shows. Well, except for the fact that no other television drama is based on the seven Aztec tribes.
“When we had our first conversation with Robert Rodriguez about all this product, he always loved lucha libre and the lucha masks, but the problem was how to present this kind of product to the American people without being disrespectful with our roots, with our Latin American roots,” said Dorian Roldan, who helped bring the show to life and works with both Lucha Underground and Asistencia Asesoría y Administración, a Mexican lucha libre promotion. “So we start to talk about what were the origins of the lucha libre, so when you start to see all these fights in the Aztec wars with the masks, with the jaguar warrior, and with the eagle warrior, we start to develop studies with this Ph.D professor and we found really interesting myths.”