19 New Songs to Listen to This Week From Deorro to Mariposa

08.29.25 at 00:28

This is our weekly compilation of bite-sized reviews of newly released songs by our talented music writers. Discover new favorites, read nuanced criticism of the week’s hottest releases, and much more. Who knows, you might walk out of this with a new fave or two. Some of the featured artists include Deorro with Sammy & Lesen and Loona, Mariposa, and Tei Shi. Follow our playlist featuring these tracks and more on Spotify or Apple Music.

Deorro, Sammy & Lesen, Loona - "Vamos a La Playa"

Having a slow day? Well, forget coffee, pour yourself a cup of “Vamos a La Playa” and you will have enough energy to finish your to-do list, smash a workout, and run to the nearest beach and start a dance party, all while blasting this track. Mexican hypertechno duo Sammy & Lesen joins forces with legendary producer Deorro to inject a new perspective into this early 2000s EDM summer staple by the Netherlands’ own Loona. Iconic vocals and lyrics that have accompanied generations while having the best of times, now shine bright over a pumped up production that displays polished and addictive sounds these legends have to offer while delivering a piece that can result friendly and familiar both to your teenage nephew and to you, the relative who is a couple years older (and may or may have not had a Jumpstyle phase in high school). – La Morra Lisa

Mariposa - “Perder”

Blending the realms of Latine and cloud rap with an alternative touch, Colombian creative Mariposa’s new track is a bold culmination of personal style and creative substance all in one go. “Perder” combines so many elements to create something unique and lively, bringing Mariposa’s iconic charm to the forefront. A fluid expansion of the capabilities of hyperpop and hip-hop, “Perder” showcases contemporary rap pockets that Mariposa is well-versed in, as well as the ambition she has to take the genre to unforeseen heights. The era of progressive cloud rap exudes all over the track, from the roaring synth chords to the heavy use of high hats. Mariposa wears these influences brightly on their sleeve, embracing whimsical joy in their bars and utilizing a warping effect on the mic. The energy she brings to the track perfectly matches the dynamic attitude brought by producers BabyEvil & SquirlBeats, setting the stage for excitement for whatever comes next for the rapper. – Alan Baez

Tei Shi - “Montón”

After a string of remarkable, diverse singles, Tei Shi’s latest album Make Believe I Make Believe is finally out. The Canadian-Colombian artist’s fourth full-length was created alongside Noah Beresin and Tommy English during a one-week retreat in Vancouver Island last fall, and it includes the standout track “Montón.” This honey-sweet reggaetón lento dressed with airy synths and deep bass lines sets the tone for an intimate dance where the world disappears and no one but two lovers exist. Tei Shi sings in English and Spanish about falling in love so deeply she’s ready to surrender entirely, pairing the right melodies with the right BPMs to make us catch the mood. – Cheky

Pink Pablo, PJ Sin Suela- “Un Día Bonito”

Puerto Rican standouts Pink Pablo and PJ Sin Suela bring their existentially breezy single “Un Día Bonito” to life with a vivid, lighthearted visual counterpart. A highlight from Pablo’s introspective EP ALL I DREAM, the track and video follow the joy-soaked duo as they trade verses on life, death, and spiritual rebirth. Though rooted in heavy themes, their sun-washed flows and production ride in with radiant ease and playful warmth. On bicycles through city streets — or maybe through life itself — they pause to savor the everyday, offering joy as a soft landing for truths that might otherwise hit hard. The result is a love letter to transformation disguised as a feel-good anthem, and a gentle reminder that even goodbyes can sound like beginnings. — Jeanette Diaz

Deborah Blues - “Como Las Estrellas”

Deborah Blues made a name for herself in the late 2010s as a frequent collaborator of artists such as Álvaro Díaz and Joyce Santana, along with her own popular solo tracks. She took an extended sabbatical the last five-ish years, but is now showing signs that she’s ready to wade back into the fold, and doesn’t seem to have missed a step. Last month, she dropped “Cozumel” alongside producers Hassi, and this week runs back some sexy pop-R&B vibes with “Como Las Estrellas.” Her might is her sultry voice and seductive delivery, all with a veteran’s confidence that she’s still everything we remembered her being and then some. — Juan J. Arroyo

Cesar Zazueta - “La Movie”

Rising Mexican singer-songwriter César Zazueta released his newest single, “La Movie.” The track features a strong bass, dancing brass instruments, and melodic guitar strings that create an emotional soundscape for Zazueta’s distinctive soothing vocals. While this marks the young singer’s second single, he’s not exactly a fresh face in the música mexicana scene. After co-writing songs for artists like Peso Pluma and Ivan Cornejo, Zazueta is taking his career to the next level by releasing his own music, giving fans a taste of his poetic-like artistry. With dulcet-sounding verses about being grateful where he’s at and celebrating his wins, the Sinaloan native also manifests the next steps of his flourishing career. – Jeanette Hernandez

Keithian - "Walk With Me"

Louisiana-born and of Cuban heritage, Keithian brings a bold new voice to the music scene with his signature blend of R&B, pop, jazz, soul, and hip-hop — what he calls “gumbo music.” This rich fusion reflects the cultural tapestry of his Southern roots and Afro-Cuban background, creating a sound that’s as diverse as it is emotionally resonant. His new single, “Walk With Me,” is a powerful mix of vulnerability and confrontation, exploring the pain of loving someone who keeps their walls up. With smooth vocals and raw lyricism, Keithian delivers what he describes as “a call for honesty and clarity — not just in love, but in all relationships.” The track is a soulful invitation to deeper connection, marked by emotional depth and genre-defying style. With “Walk With Me,” Keithian continues to carve out a distinct space that transcends borders, blending heartfelt storytelling with an irresistible groove. – Natasha Melina Argudo

Mirror Revelations - “Liberar”

Hailing from Toluca, Mexico, this band makes good on the promise of its name by presenting a revelatory sound. With “Liberar,” Mirror Revelations delivers a transcendental racket influenced by garage rock, post-punk, and krautrock, driven almost entirely by a relentless two-chord riff laced with plenty of feedback, fuzz, and effects. For almost eight minutes, this trio hammers down on a brutal yet cosmic groove, conjuring a bad acid trip that translates into sweet and sour ear candy. “Liberar” places Mirror Revelations as one of the most exciting psych rock bands in Latin America today. — Marcos Hassan

F.A.V. & Tino Amor, Terror/Cactus - “Corazones Tristes”

The Costa Rican duo F.A.V. & Tino Amor understands that cumbia’s alchemic balance of joy, dance, and telenovela melodrama can cement a good song into popular iconography, as demonstrated on cult favorite tracks “No Hablo con Fachos” and “Cute.” Sounding like a deep cut off a Laura León bootleg, their new single “Corazones Tristes” taps into the heightened waterworks of heartbreak, obsessing over the lingering smell of a perfume and sunny days turned to rain showers. The pair tapped Seattle-based Argentine producer Terror/Cactus for some cascading percussion and Western-flavored slide guitars, resulting in more than just a campy gem, but an emotional earworm with an undeniable groove. — Richard Villegas

DUPLA 02 - “Sra.95”

From São Paulo, Brazil, come Thalin and ENOW, two artists who make up the project DUPLA 02. Their latest release, Eterna Promessa Mixtape, showcases their expectations and doubts to their audience. It’s a mature project where rap meets a handful of other genres to create an innovative sonic experience that is very particular to these two Brazilian artists. One of the tracks, “Sra.95,” is the most pop-influenced song in the album. It is a party song made up of well-crafted hip-hop beats, clear vocals, and rhymes that sound straight from a ‘90s bop. The lyrics aren’t clean, but they sure are fun to listen to. The ‘90s influence seems to be present in more than the rhymes, as the track feels very close to hits from that decade. “Heloísa, Mexe a Cadeira” by Vinny is one that comes to mind in this comparison. Evoking the nostalgic feeling at the same time as it makes everyone sway their hips, this creation by DUPLA 02 should be listened to in full, as soon as possible, by anyone who wants to have a little bit of fun. – Júlia Henn

BAROVIER - “SUGARMAMI”

A chrome-sounding synth tears through to lay the groundwork for Monterrey-born diva Sofía Barovier, rocking a pastel pink wig, a katana, and looking one twirl away from turning into a full-on superheroine. She introduces herself as a bad bitch — but sweet. Switching up the dated roles in the genre, she claims the spot as the one calling the shots and showing off luxury, singing, “Everything you want I can buy, I’ll pick you up quickly in the Lambo.” She’s got no time to waste, and is clear about the standard to fulfill to be around her: “To be welcome in my crew, we take no amateurs.” Having set the tone, the display of her confident voice and personality carries on over a reggaeton beat that is sure to get you and your crew moving. But remember, no amateurs. – La Morra Lisa

Charlotte Dos Santos - “Pot of Gold”

After spending an eventful few years away from the limelight and creative pressures of the music industry, the songstress Charlotte Dos Santos is ready to share what the wait has been for. While Dos Santos has been prioritizing their time as a new mother, her sonic melodies and pattern weaving are as tight as ever. “Pot Of Gold” hammers on older soul grooves, yet is presented alongside a mastered grip on her falsetto. The track is an airy blend of gold soul and jazz, filling the drab room with melodic high notes and an infectious drum progression. It retains the soulful spirit while reveling in its own energy. In her three-year hiatus, Dos Santo’s return is dynamic as it is exciting, marking an extraordinary milestone for a new era. – Alan Baez

Ana Spalter - “Café”

Hailing from São Paulo, Ana Spalter is ready to drop Coisas Vêm e Vão, her debut album and follow-up to her English-sung 2022 EP All We Are. The first taste we get is “Café,” a song where routine is both the poison and antidote for dealing with heartbreak. Co-produced with Betão Aguiar, “Café” is a jazz-inspired number that deliciously slips in and out of dissonance as sax lines, electric piano strokes, and guitar fills interplay. Inspired by a personal experience, Spalter tells the story of a man who fills his day with work and routine to stop his mind from thinking about a love that’s gone, but when the chorus hits and the vocal harmonies layer, the man’s saudade hits hard as he realizes all he has left to enjoy is his coffee. – Cheky

Fiebre - “ARRIBA (mediopicky remix)”

On the cybernetic rework of “ARRIBA,” from her forthcoming Planeta Abandono remix album, Ecuadorian artist Fiebre teams up with Dominican producer mediopicky to detonate the original into a mutilated, metallic fever dream fueled by body and bass. What begins as a sensual whisper grows into a full-bodied electric play drenched in sweat, texture, and pulse. Fiebre’s vocals cut through like a futuristic transmission as it drapes over warped reggaeton rhythms, flickering synths, and glitched-out percussion that all sharpen into something as primal as pleasure colliding with memory. Built for dance floors after dark, the track shapeshifts into a movement-inducing nocturnal spin where desire collapses into machine blurred rhythm. — Jeanette Diaz

Amori - “Huella (feat. Abraham GÜ)”

Barcelona-based singer-songwriter Amori was born and raised in Puerto Rico, and it’s also where she got her start in music. Last year, she released her debut EP, Presentimiento, which evoked the spirit of her countryside upbringing with its folk strums and poetic lyrics. Since moving to Spain, she’s continued to work on her talents. And this week, she reteams with prior collaborator Abraham GÜ — himself a transplant from Mexico City — for “Huella.” Together, they touch on the space left behind when a relationship ends, and the echoes of that love that continue reverberating in the void you learn to live with. As the song gently affirms: if something leaves a footprint, it’s because it was really there. — Juan J. Arroyo

Tokischa, La Mas Doll - “MUXAXA”

Who pissed off the girlies? After partying it up with Belinda in Puerto Rico, Tokischa is back with a new, infectious collaboration. The rapper teamed up with fellow Dominican artist La Mas Doll for “MUXAXA,” a raunchy, tongue-in-cheek, and taunting diss with thick synths and a throbbing bass. The explicit anthem calls out fakes, describing them as “mamonas” and “asquerosas,” with humorous and playful sing-along verses that the duo had to have fun recording. Though the diss is less than two minutes long, the beat leaves us craving more. So, who’s jumping on it? We’re all ears. – Jeanette Hernandez

Mila la Morena - "Apapachada"

Chicago-based Chicana artist Mila La Morena returns with “Apapachada,” the third single from her upcoming album Post Internet. “Apapachada” celebrates self-acceptance, inner strength, and the exploration of identity in an era of digital hyper connectivity. With immersive production and a dark, alternative atmosphere, the track delivers a powerful emotional statement shaped by post-Y2K aesthetics. Blending experimental textures, avant-pop flourishes, and reggaeton undertones, it’s a go-to anthem for getting ready with your girls before a night out. The song is accompanied by a striking animated video. which captures the inner struggle against a consumerist, transformative, and ultimately liberating technology. With “Apapachada,” Mila La Morena continues to carve out her space in the alternative scene, crafting bold, intimate sounds that push boundaries while remaining deeply personal. – Natasha Melina Argudo

Sexores - “Sangre”

On the title track for their new album, Sexores prove to be a shapeshifting unit of the highest order. “Sangre” is a dancefloor banger shrouded in darkness, featuring a melodic yet minimalistic electronic bassline that pulsates with aplomb, transforming the song into an invitation for bats and ghouls to let loose. Vocalist Emi Bahamontes and guest Patricio Zenteno duet with archetypal goth vocals — going banshee high and werewolf baritone, respectively — to bring the vampiric effect to life, exploding with a catchy chorus. Stripping down its sound to its skeletal elements, Sexores proves once again that they can make the blackest of hearts smile. — Marcos Hassan

Conjunto Media Luna, Turbo Sonidero - “Kumbia Dos Pasitos”

Cumbia is a living and constantly evolving musical language, and on “Kumbia Dos Pasitos,” the new collaborative single from Conjunto Media Luna and Turbo Sonidero, broad conversations on migration, collectivity, and universal grooves are taking place. Conjunto Media Luna is the shapeshifting project of singer and accordionist Ivan Medellín, one of the cornerstones of Colombia’s cumbia revitalization of recent years, putting a focus on the organic, ancestral techniques that elevated the genre into a Latin American lingua franca. Meanwhile, San José, CA, producer Turbo Sonidero and his collective Kumbia Net helped usher in the age of digital cumbia, bringing unapologetic guapachosidad to raves and clubs around the world. The all-star team-up of “Kumbia Dos Pasitos” melds Colombian accordion riffs with gritty West Coast rebajada, demonstrating that true bangers are less concerned with medium and more so with creating beautiful, lasting moments. Or as the song’s hypnotic mantra puts it, “Baila sabrosito, de brinquito, abrazadito.” — Richard Villegas

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