19 New Songs to Listen to This Week Omarcito Glock to Madi Diaz

11.14.25 at 00:20

This is our weekly compilation of bite-sized reviews of newly released songs by our talented music writers. Discover new favorites, read nuanced criticism of the week’s hottest releases, and much more. Who knows, you might walk out of this with a new fave or two. Some of the featured artists include Omarcito Glock with Enayy, Madi Diaz, and Humbe. Follow our playlist featuring these tracks and more on Spotify or Apple Music.

Omarcito Glock, Enayy - “PROHIBIDO”

“PROHIBIDO” marks a bold collaboration between Omarcito Glock and Enayy, two rising forces in Mexico’s reggaeton scene. Released through LA ESQUINA INC, the powerhouse label reshaping Latine street sound, the track dives deep into the allure of forbidden love—a theme that fuses vulnerability, rebellion, and rhythm in perfect sync. At its core, “PROHIBIDO” tells the story of two lovers caught between passion and disapproval. Society and strict parents may see him as the “bad boy,” but love refuses to be bound by rules. When Omarcito Glock sings “Ya no quiero decir que soy solo tu amigo” (“I don’t want to say l’m just your friend anymore”), the emotion cuts through the beat, revealing both defiance and desire. Musically, the song blends classic reggaeton grooves with sleek modern production, carrying listeners into a world where love becomes a secret worth risking everything for. Omarcito Glock’s raw energy and authentic street tone meet Enayy’s smooth, melodic flow, creating a sound that’s as infectious as it is heartfelt. – Natasha Melina Argudo

Madi Diaz - “Don’t Leave Me”

On paper, this song shouldn’t work. Madi Diaz, an artist best known for expressing rough emotion with delicacy and earnestness, tackles the juvenile humor and pop punk urgency of Blink-182. Yet, the song fits Diaz’s style perfectly; while she doesn’t try to replicate the original’s distorted guitars or have someone impersonate Travis Barker’s drumming, her frantic acoustic guitar strumming gets the same adrenaline push as the San Diego trio. Better yet, her vocals connect with the lyrics in a way that makes it feel even more desperate and emotional, giving us a new side of a pop punk classic that we didn’t know we needed. — Marcos Hassan

Humbe - “Morfina”

Humbe has shared a new single “Morfina,” a sweet serenade that explores love and its healing nature. Through its serene melody, the Mexican artist details a love so tender yet powerful, it carries the capabilities to pull you out of old fears and place you back into your own softness. While melodically stripped down to an atmosphere of gentle guitars, strings and layered vocals, its lyricism holds the real texture as it traces an emotional shift from insecurity to a connection as a remedy to steady unbalanced ground. Its warmth and vulnerability wrapped in the beauty in rediscovering one’s own fullness in another person. It ends with an intimate outro, a familial sounding voicemail, that moves this to more than a romantic love song, but one rooted in growing self-love reflected through others, hinting to a transformation at the center of his next chapter. — Jeanette Diaz

Linxes, Lasser Drakar - “Lento ꒰ᐢ. .ᐢ꒱₊˚⊹”

Argentine duo Linxes have come a long way since their early days crafting ruminant psych in La Plata’s fertile college scene. But during the pandemic, the band pivoted into a lively, anthemic sound they now describe as post-pop, diligently preaching a banger-stuffed gospel with ambitious tours through Mexico and South America. The noisy new single, “Lento ꒰ᐢ. .ᐢ꒱₊˚⊹,” is perhaps the finest example of Linxes’ ongoing evolution, marrying a propulsive post-punk groove with catchy hooks about letting go of people, or even past versions of yourself, that no longer serve the journey. However, it’s a production assist from Mexican electroclash icon Lasser Drakar that blasts the song into full blown earworm territory, injecting thumping bass lines and distortion that’ll remind you why his long standing relationship with María Daniela still packs dance floors around the world. — Richard Villegas

LAPERRERA, A1 NWG - “ASALTO”

It was just a month ago that Puerto Rican indie rapper LAPERRERA released his newest album, LLAMEN LA AMBULANCIA, but he’s never been one to shy away from his workhorse ethic. This week he teamed up with A1 NWG and released a three-track EP, LA ANTESALA, which continues the hot and sorely underrated hip-hop en español streak found on the island. Produced by chatabaya, the lead single “ASALTO” and its other three tracks are a nice antidote for the current glut of Latine trap, with A1 and LAPERRERA—who moonlights as Pink Pablo’s drummer—bringing true wordplay and bars that fans of the genre can recognize as the real deal. — Juan J. Arroyo

La Arrolladora Banda El Limón, Juanes - “Una Noche Contigo”

Two diverse Latine music figureheads united for “Una Noche Contigo.” La Arrolladora Banda Limón put a new spin on Juanes’ original romantic pop ballad by swapping out the song’s OG The Beatles-influenced vintage sound for conspicuous, cadent brass instruments that amplify each vocalist’s charming serenades. Together, the new collaboration spotlights Juanes’ musical range as he sings on top of a sentimental banda track that features La Arrolladora’s signature horn elements. Written by Edgar Barrera, Juanes, and Julio Reyes, the song demonstrates the fact that a great composition can be successfully interpreted in many ways and doesn’t have to stick to a single genre. – Jeanette Hernandez

Martin - “Levar”

Nossa Memória, the first album by Brazilian singer-songwriter Martin Buckup, better known as Martin, has finally come out filled with tender and simple melodies that conceal the artist’s complexity in themselves. A reflective piece of work, Martin’s debut album is a study of his greatest musical inspirations with his heart and mind poured into the mix. The track “Levar” is an example of how intimate and quiet the loudest parts of our soul can actually be. The apparent relaxation of the rhythm imbued into the song gives way to soul-bearing lyrics, as all good MPB should do. – Júlia Henn

canela - "(no quiero ver) televisión"

From the heart of Culiacán, Sinaloa, channeling the aesthetics of the Pillows and the sound of your favorite band’s favorite band, canela’s latest track is energetic as it is nostalgic. Following an already excellent slew of singles, “(no quiero ver) television” is the final teaser for their project departamento, a follow-up to their 2023 debut that hits the mark on sensual songwriting and multifaceted production. From the ecstatic drum intro to the closing vocals, the track demands your attention from beginning to end. The latest from the Culiacán rockeros encapsulates the best of both worlds within punk and shoegaze, presenting an equal balance of melodramatic lyrics over hard-hitting textures. “(no quiero ver) television” captures a distinct slice of life with an ethereal sound that feels ripped right from a romcom ending. It’s stylized and knows its identity well, and sets the bar for departamento. – Alan Baez

Clara Bicho - “Telejornal Animal”

Shortly after dropping her latest EP Cores da TV back in May this year, Minas Gerais artist Clara Bicho has now shared the sunny “Telejornal Animal.” Calling back to her journalistic formation and even recurring to the career’s vocabulary, “Telejornal Animal” is a whole newscast condensed in a little over four minutes where Clara Bicho jokes about being ready to leave it all behind and fly away from routine and responsibilities. The song is quite a journey rooted in indie pop with magnetic dynamics that travel from whimsical dance moments to tear-jerking fragments to an acoustic outro. Its music video, directed by Mariana Barbosa, completes the picture and takes us to a child-like fantasy, which is, frankly, our go-to escapist destination. – Cheky

Beto Cuevas - “Respira!”

A legendary voice from Chile who has resonated across the globe with numerous hits presents “Respira!” as the first single from his upcoming project. A deep inhale is joined by echoing voices inviting us to breathe, and in place of an exhale after a pause, a guitar riff drops us into Beto Cuevas’ iconic rock sound. Evidently coming from a place of lucidity and experience well earned through a masterful career, one of the verses asks the listener to take a second away from the “overwhelming amount of voices that say nothing.” The lead-up to the explosive chorus reminds us that in that instant of self-awareness, we can reach the focus needed to redirect and achieve anything we desire. The sound feels ambitious and pristine in its production, with the classic instrumentation of a rock band accompanied by bright accents from a measured synth and sudden silences that complement the theme. In the final part of the track, the band slowly fades out, leaving space only for an ethereal choir, which, once again, and along with Beto passionately exhaling, invites us to just breathe. It’s a piece of advice that we will definitely take from an artist who has soared high through the entirety of his trajectory, and now wants us to join him in flight. – La Morra Lisa

Grupo Firme, Luis Alfonso Partida "El Yaki" - “Que Te Quieran Bonito”

Global Regional Mexican superstars Grupo Firme join forces with celebrated singer Luis Alfonso Partida “El Yaki” for one of the most anticipated collaborations of the year, “Que Te Quieran Bonito.” The track opens with a beautiful guitar melody led by El Yaki’s unmistakable vocals, which flow effortlessly into Grupo Firme’s signature sound. Frontman Eduin Caz’s soft, sensual voice intertwines with the band’s dynamic energy, creating a heartfelt and romantic anthem about admiration and self-worth. The lyrics remind listeners that true love should cherish and uplift you. That love should want you beautiful and keep you beautiful. Both artists shine with undeniable chemistry, blending their distinctive styles into a seamless fusion of emotion and tradition. The song’s lush instrumentation and soaring harmonies evoke the spirit of classic Regional Mexican ballads while delivering a fresh, modern sound that resonates across generations. With “Que Te Quieran Bonito,” Grupo Firme and El Yaki deliver a timeless, emotional performance that celebrates love, authenticity, and the enduring power of Mexican musical traditions, reaffirming their place as two of the genre’s most dynamic and influential voices on the global stage. – Natasha Melina Argudo

Gabriel Dinero - “no importa (outro)”

Coming in fresh with a brand new EP, cara ajena, London-based Guatemalan producer-artist Gabriel Dinero shows us the scope of his vision and talents with this highlight from his most recent release. “No importa (outro)” manages to play to both Dinero’s strengths and test his capabilities, delivering a soulful vocal over a hectic drum n’ bass beat that’s layered with synths and textures, propelling the song onto the dancefloor with retrofuturistic intent. The resulting track is a tight R&B-inflected pop confessional that will have listeners debate between its introspective lyrics and their need to let loose and dance the night away. — Marcos Hassan

Faraonika, Fiah - “Las Chicas”

Argentina’s techno-pop golden age continues this week with “Las Chicas,” the new single from singer and producer Faraonika, delivering a throbbing first taste of her sophomore LP, ArpiA, the follow up to 2023’s R&B and neoperreo grotesquerie, Farsanta. Here, Faraonika teams up with fellow slut-pop diva Fiah for a devilish siren’s call to lure wayward souls wandering around the club into the steamy whirlpool of a packed dance floor. “Veni mi amor / venite con las chicas,” they beckon over a pounding beat evocative of summer dance classics like Sonia y Selena’s “Yo Quiero Bailar” and JLo’s “Play.” But while the track is fairly simple in its hedonistic mission, twinkling house keys and strategic ballroom “ha”s underscore Faraonika’s astute eye for detail and a diligent study of nightlife’s sacred codes. — Richard Villegas

Ángeles Toledano - “Qué Bonito Aquella Noche”

Ángeles Toledano is closing her Sangre Sucia chapter with single “Qué Bonito Aquella Noche,” a luminous reinterpretation of the ‘70s classic by Las Grecas. Where the original spirals with pop-flamenco drama, Toledano breathes a tenderness in by slowing the memory down into something that feels more like a tender relic. Accompanied by the delicate guitar work of Benito Bernal that anchors its melody, Toledano’s voice transmutes into something hauntingly vulnerable and intimate, as it does the heavy lifting of carrying the weight of yearning emotion and memory with every striking scale. She tethers traditional and modernity with soft brilliance, transforming a generational song into something that feels like contemporary confession. In the same parallel, the latest release is a farewell to one era, and a captivating beginning of another. — Jeanette Diaz

talí - “CALOR”

talí throws her hat in the alt-R&B ring with her newest single “CALOR,” casting herself as a fresh voice in the subgenre. It’s her second single of the year, as she begins to lay the foundation of an EP launch in 2026. This week’s track is produced by Orteez, who has an accomplished track record working with Álvaro Díaz and other big names in the past. With a tinge of dancehall under the silky vibes, talí invites her partner to raise the temperature of their union and lean into the heat; a sentiment she wants listeners to take part in too and get the sweat flowing. — Juan J. Arroyo

Linea Personal - “FLP”

Hailing from Stockton, CA, Linea Personal is back with a new single called “FLP.” With sierreño influences and a soft and rhythmic horn, the new track narrates a story of working long hours, staying faithful to their women, and getting their money—a modern American dream. Visually, the music video features the Fine Line Performance car club with proud Mexican flags as they race across a desert landscape. Though the song isn’t anything of the norm for the sierreño group that’s backed by Street Mob Records, the four-piece outfit is on the cusp of showcasing their Mexican-American identity that resonates with their audience on a larger scale. Their next huge performance will be at JOP’s Don’t Fall in Love Festival in San Bernardino, CA, where they’ll show their loyal fans exactly what they’ve got to offer. – Jeanette Hernandez

Vita Set, Juan Baro - “POST APOCALIPSIS”

In this new version of their track “POST-APOCALIPSIS,” previously released in 2024 in their album ZONA CERO, the band Vita Set joins forces with Juan Baro for a more alternative, rock-inspired approach that enhances their hyperpop influences and deepens their relationship with a style of music reminiscent of 1980s synthesizers. The song is an invitation to explore a world where, despite the crumbling of reality as we know it, there is still the opportunity to find solace in bonds formed between humans, for after all, who will we trust if not each other? – Júlia Henn

Cuco - “Dreamin’”

One of the cuts off the deluxe version of the Hawthorne, CA, singer’s album Ridin’ comes with dreamy visuals and an equally visceral message attached. Ridin’, as a project, took a step back for the multi-instrumentalist by breaking away from the bedroom pop, ambitious indie production, and honing in on a more golden soul-drenched sound. “Dreamin’” is one of the standouts for Cuco’s project for its execution of this style, one that perfectly embodies that style and tone the singer was reaching for. With a calm melody and pitched vibrato, Cuco is performing on par with the likes of Thee Sacred Souls or The Alton, hitting the nostalgic low-rider aesthetic hard. “Dreamin” as a title perfectly encapsulates the exact feeling Cuco is going for with the song, building off moody tempos and a surreal soul-inspired instrumental, but takes the time to pay homage to the loved ones in his life, as well as the LA culture makers that he’s always shown love to. – Alan Baez

paco te quiero - “iPhone”

Up-and-coming sextet paco te quiero have been cutting their teeth in the Catalan indie scene since their inception in 2021, and after releasing three EPs and a handful of singles, they’re ready to give us their debut album in 2026, which includes their latest single “iPhone.” With a thunderous sound that is equal parts shoegaze, 90’s alternative rock, and dream pop, the song is distorted bliss, with walls of guitars and synths that tower around the dual vocals of Lucía and Gloria that barely break out of the unison. The thick, urgent atmosphere created by the instrumentation balances the simple and effective melodies and levity of the lyrics, as they sing about those people who make an impact in our lives but disappear so fast we’re only left with signs, objects, or feelings to daydream about their history. – Cheky

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