20 New Songs to Listen to This Week From Cachirula to AQUIHAYAQUIHAY

Cachirula - “Dime si recuerdas (feat. Loojan, NOVA!)” 

Fresh off the release of SEXOLANDIA 2, Cachirula pivots into her solo era with “Dime si recuerdas,” a restrained yet emotionally charged perreo that keeps intimacy looping in your mind. A steady, unhurried rhythm and production by NOVA! carry the track as it leans into repetition as memory, revisiting a relationship through lingering desire rather than regret. Loojan’s guest feature feels like a continuation of the conversation, reinforcing the unresolved pull between the two voices. Shot in a Mexican suburb with subtle borderland references, the video grounds the song in lived experience over fantasy. “Dime si recuerdas” signals that Cachirula’s solo path leans toward feminine refinement, distilling the emotional core of pleasure into something more intimate and unresolved. — Jeanette Diaz

AQUIHAYAQUIHAY - “Lo dejamos pasar”

Harkening back to their roots, Mexico’s favorite R&B boy band AQUIHAYAQUIHAY returns with a catchy song that will have fans and newcomers singing along. On “Lo dejamos pasar,” Jay Lee, Neqer, Phynx, Zizzy, and Nehly take an old-school slow burner beat—featuring deep groove drums, a serpentine bassline, and vintage-sounding keyboards—and croon soulfully over it, exploring romance and desire from different perspectives. Playing to each member’s strengths, the song is a showcase for everyone to shine, but most importantly, to remind us that their power relies on their combined efforts. Additionally, “Lo dejamos pasar” serves as a reminder that passion, groove, and sick-ass guitar solos can elevate any song to new heights. — Marcos Hassan

Grupo Firme, Lenin Ramírez – “Ctrl+ Z” 

Ready pa’ pistear? Grupo Firme isn’t done releasing music this year. The prominent música mexicana group released their newest post-breakup banger “Ctrl+ Z,” featuring Lenin Ramírez. If the song’s essence sounds familiar, it’s because the vocalists have previously collaborated on the heartbreak anthems “En Tu Perra Vida” and “Yo Ya No Vuelvo Contigo,” which continue to be two of their most popular songs. Now, the two figureheads of Regional Mexican music follow the same vein with a third collaboration, “Ctrl+ Z,” kissing a toxic relationship goodbye with powerful and heartfelt croons under a banda-driven soundscape topped by a witty song title. – Jeanette Hernandez

Gepe - “La enfermedad de los ojos (En Vivo Sala Master)”

Chile has given birth to many artists whose talents have resonated across the globe, but singer-songwriter Gepe has left a particularly remarkable imprint in the country’s musical history through a career spanning decades. To commemorate 20 years since the release of his debut album Gepinto, the artist re-recorded the project alongside frequent collaborators and friends Miguel Molina, a guitar virtuoso, and musician Marcelo Cornejo, aka Maco. In a poetic closing of a circle, the new recording took place in the very same hall within the University of Chile where it debuted originally. This live iteration of the iconic track “La Enfermedad de los Ojos” opens with a burst of applause from the loving crowd worthy of a legend, the sound of a door opening and Gepe’s confident steps as he approaches the iconic xylophone that kicks off the beloved melody. Maintaining the essence of the original, the prevalent difference is noticeable in the powerful, experienced and melancholic voice. The instrumental arrangements achieved by the trio feel dreamy, warm, and like a hug from an old friend. This is a beautiful session you do not want to miss. – La Morra Lisa

EBONY - “Dona de Casa”

Months after releasing one of Brazil’s standout hip-hop full-lengths of 2025, KM2, Carioca rapper EBONY has announced a deluxe version that includes a track that was originally written as an interlude but hit so hard that it couldn’t just be left on the cutting room floor. Produced by AG Beats, “Dona de Casa” displays in a little over a minute an explosive beat that mixes funk carioca and trap, and sharp lyrics that highlight the power and self-determination of women from marginalized areas and the way they challenge expectations, even if they have to bruise a man’s ego on their road to success. – Cheky

Brray, L-O-N - “Click” (feat. Fronti)”

Brray’s “Click” featuring Fronti is one of the most intimate standouts from LAS DEL STREAM VOL.1, his bold and unconventional EP. Sensual and slow-moving, the track unfolds as a seductive conversation, with Brray inviting his love interest to ask for anything she desires, promising to satisfy her in every way. Smooth melodies and a late-night rhythm set the tone, while the chemistry between Brray and Fronti elevates the song into a fully immersive experience. “Click” also reflects the innovative spirit behind LAS DEL STREAM VOL. 1. Breaking away from traditional creative processes, Brray crafted the entire EP live on Twitch, allowing the energy, interaction, and creativity of his audience to shape each song in real time. Every track was created 100 percent live, from the first melody to the final lyric; nothing was prewritten or planned. That raw immediacy is felt throughout the project, capturing spontaneous emotion, tension, and humor as they emerged naturally during each session. The EP stands as a community-driven snapshot of creativity, where music isn’t just consumed by fans, but created alongside them. – Natasha Melina Argudo

Flix Pussy Cola - “Fuera del Preolímpico”

Ecuador’s Flix Pussy Cola has built a reputation for irrepressible, juvenile fun, infusing blasts of garage and alt-rock with tales of wild nights and cheeky insider memes for their most faithful fans. However, their new single “Fuera del Preolímpico” takes a sharp left turn, instead advocating for a slowing and reassessment of their more excessive tendencies. Building gradually over breezy guitars and alternating vocal duties across three different band members, the song crescendoes with the comforting mantra of, “Pasa y pasa, que el tiempo para.” It’s a sweet reminder that existing on the path is just as important as arriving at the destination, and time is no less worthy of our joy and appreciation. — Richard Villegas

Sukubratz, 666ATA, Jotadelli - “CRIATURA DE LA NOCHE”

Powered by chaotic soundscapes and hedonistic tendencies, Sukibratz creates an enveloping energy that swallows you whole for a pulsating experience. “CRIATURA DE LA NOCHE” flexes its teeth right from the gate, taking no time for build-up, launching thumping drum pads and alternative aesthetics for a nightmare club anthem. From the get-go, the single centers noisy elements that paint a larger picture to capture joy and energy in all the forgotten pleasure centers of the brain. “CRIATURA DE LA NOCHE” is the first song of the year for the Chilean producer, incorporating the rawest elements from a myriad of different genres, from hyperpop to neo-perro to nu-emo, all under a near-chilling gothic aesthetic. The track is a team effort, calling collaborations from producer Jotadelli and vocals from 666ATA. The three combine a synchronized sense of style and execution for a track that bleeds personality and even harsher BPMs. – Alan Baez

Ruben Ramos - “El Año Viejo (feat. Gaby Moreno)”

From the very first few seconds of “El Año Viejo,” it’s impossible not to swing along to the infectious rhythm of this staple of Mexican music, first made popular in the 1950s by one Tony Camargo. Now, in 2025, Latine music legend and two-time Grammy winner Ruben “El Gato Negro” Ramos releases his own rendition of the song at the ripe age of 85, featuring the two-time Latin Grammy winner Guatemalan artist Gaby Moreno. Their musical communion makes the track shine brighter, and it allows all those listening to it to give themselves over to the hope of a great new year and the reminiscing nostalgia of the year past. – Júlia Henn

Marconi Impara - “Amuleto”

Puerto Rican rapper Marconi Impara closes out a busy 2025 with “AMULETO,” which finishes off a trilogy of tracks that began with “ROADTRIP” in October and “ALGUIEN” last month. The three songs are meant to set up Marconi’s new sound for next year, with both the blue hue used across the visualizers and the production’s sonic effects getting respectively darker and more intense with each release. His appearance on Rauw Alejandro’s Cosa Nuestra brought him millions of new fans, and he hopes “AMULETO” and his last drops keep listeners locked in for and enticed for what he’s bringing in 2026. — Juan J. Arroyo

El Malilla, Lucky Brown, Fran C - “Tu Pai”

After dropping Tu Maliante Bebé Vol. 2, El Malilla shares new visuals for “Tu Pai.” Built around a low-end groove produced by Fran C, the late-night reggaeton anthem is rooted in defiance and desire that thrives on the tension between private intimacy and public judgment. Where sneaking out feels inevitable and disapproval only heightens the thrill, El Malilla and Lucky Brown trade verses with unapologetic confidence, chasing something real even when it comes with consequences. A repeating hook becomes a declaration, turning parental scolding into background noise beneath bass-heavy certainty. The video mirrors that approach, stripping the setting down to its essentials and keeping the focus on feeling over flash. “Tu Pai” doesn’t ask for permission, leaning fully into the heat of the mess and the truth of choosing each other anyway. — Jeanette Diaz

Cemento - “Blindfire”

As a genre, post-punk would not be a worldwide phenomenon if not for the historical contributions made by bands hailing from Los Angeles, CA, and Cemento continues this tradition by bringing new depths of energy and attitude to the sound. “Blindfire” features a ferocious rhythm section led by a catchy and heavy bassline that dominates the mix, contrasted by soulful and melodic guitars, anchored by lugubrious vocals that help anchor the sound. This results in a track that will satisfy those looking to dance or rock. “Blindfire” may feature abstract lyrics, but its essence is far more solid, demonstrating Cemento to be at the forefront of the current goth wave. — Marcos Hassan

Omar Courtz, KARBeats - “EL MUNDO SE VA A ACABAR”

After releasing his debut album Primera Musa, Omar Courtz is back with his newest track “EL MUNDO SE VA A ACABAR,” produced by longtime collaborator KARBeats. “EL MUNDO SE VA A ACABAR” intertwines R&B, reggaeton, backed by a techno and Jersey club flair that makes the song stand out—giving us something new to enjoy from the Puerto Rican artist. “I decided to let myself experiment,” Courtz shared in a press statement. “Mixing R&B, reggaeton, and techno was a challenge, but it was also the most honest way to show where I am right now as an artist.” With this single, we are hopeful to hear new experimental sounds as he unfolds his next chapter following Primera Musa, which helped garner him a loyal fanbase. – Jeanette Hernandez

Go Cactus - “Medallas para todos”

Blasting the track open with a guitar riff that is quickly joined by an energetic drum and surfy bass, Spanish trio “Go Cactus” presents the cheeky single “Medallas Para Todos,” poking fun at how easy it can be to be rewarded nowadays with very little effort. The sound is irreverent and fun, composed of the classic instrumentation of a garage-sounding band as their three voices harmonize in the chorus while singing about how “everyone gets a medal now,” or how you can earn a place somewhere just by “sitting straight.” A perfect sound to blast by the beach, a skate park, or headbang with your friends, the chemistry between the three is evident and makes listening to the track easy and enjoyable, almost like watching your friends playing a small gig. But at the same time, the sound feels crisp, ambitious, and big enough to fill large venues like the ones they have performed through their careers and in their upcoming tour through Spain. The perfect addition to your playlists if you want a shot of energy and a humorous reminder that it’s ok to relax and not place so much effort in standing out or being special, because as they sing, we’re all special, but at the same time, not really. – La Morra Lisa

Lasser - “PRECIPICIO”

Four years after releasing his last solo album, 2021’s Hockey, and several singles and a couple of collaborative projects later, Spanish rapper Lasser is finally ready to give us PLANES, his latest album set to drop next year. Its first single “PRECIPICIO” was created alongside Mexico-based Salvadorian producer Clément, who built a bed of a nostalgic beat adorned with aged piano samples, gliding synth, and a booming 808 bassline for Lasser to do his thing. He stares at the void and reflects on his people, knowing that if he ever jumps, they will surely be there to catch him, rapping with an earnestness that’s found on late-night conversations with friends. – Cheky

⁠Luar La L - “La Jumper”

“La Jumper” stands as the defining moment on Sobr3Natural, the highly anticipated album from Luar La L. Built on a hard-hitting trap foundation, the track captures the purest form of his artistry: unfiltered, confident, and lyrically sharp. It’s no surprise that Luar names it as his favorite song on the project. “La Jumper” is driven by bars, punchlines, and layered metaphors that hit with precision, leaving little room for doubt about his standing in Latine trap. The song embodies the creative freedom behind Sobr3Natural, a project made without rules or commercial pressure, just real music for the fans. Every verse on “La Jumper” feels intentional, reaffirming Luar’s dominance through raw delivery and unapologetic bravado. It’s a statement record, rooted in street energy and elevated by technical lyricism. While Sobr3Natural explores multiple sounds and collaborations, “La Jumper” remains its sharpest edge, a track that distills the heart of trap and solidifies Luar La L as a powerful voice in Puerto Rico’s el movimiento scene. – Natasha Melina Argudo

Hellolola - “Perra Activa”

Hellolola is Argentina’s newest breakout from a pop scene exulting ultra-femme aesthetics and instantly classic baddie bars, dropping her debut album, TURRIALUV, back in August, and leaning into trap and trendy electronica. But do not mistake her for a Six Sex clone, as Hellolola comes from the streetwise school of Cazzu and La Joaqui, recently expanding into RKT alongside Las Culisueltas alum La Chenny for the maleanteo guapachoso of “Turra Látigo.” For her latest offering, “Perra Activa,” she swerves into jersey club and cranks her considerable sex appeal to the max, leaving us with a new favorite spelling bee a la “Hot To Go” or “YMCA,” though her letters of choice are P, U, T, and A. As if her unfuckwithable status needed further clarification, the Nash Corbalán-directed music video follows Lola through her exercise routine at an outdoor gym, surrounded by her trusty gang of divas armed to the teeth with blickies and katanas. — Richard Villegas

weed420 - “O santa rosa”

Following a series of mixtapes, demo tapes, and loosies after the release of their debut project earlier this year, Venezuelan outfit weed420 returns with a new series of dynamic compositions and a display of technical prowess. Despite the name and affiliation to internet meme tendencies in their promotion, weed420 is a group that takes themselves quite seriously, producing industrial melancholic melodies alongside haunting, ambient grooves. The project paints a picture of the real side to internet culture; a subclass made of introverted conversations, stylized amv’s, and brutal means of communication. A track that resembles weed420’s attention to ambient textures and dedication to progressive song composition is the highly mature and radiant “O santa rosa.” A near 10-minute stamp out of the project that blends uncanny voice samples with surreal elements of post-rock, only to be met with vivid, heavy industrial drums. “O santa rosa” is an epic venture into the unknown, while remaining particularly familiar. It’s a powerful display of song composition and self awareness that only a group like weed420 can manage. – Alan Baez

Caedance, Dixs - “Runaway (o Último Encontro)”

Canadian singer caedance and Brazilian rapper Dixs partner up for this delicate and romantic R&B-style track called “Runaway (o Último Encontro),” bringing two different cultures, styles, and languages together in a delicious melody. As much as the lyrics talk about subjects with which the audience is familiar enough, the seductive rhythm of the track and the contrast between both artists’s styles and languages make this song particularly charming and interesting for the listening ear. – Júlia Henn

XIANA - “Barú (Acoustic)”

Rising Colombian pop star XIANA released her biggest hit to date “Barú” back in August to much acclaim. The track was well-received, especially by those who felt it captured the Caribbean spirit of Cartagena’s Isla Barú. This week, she drops an acoustic version of the track, giving it a second wind before the year’s over. The tune is mellower, but the intention and spirit remain the same: praising the rejuvenating energy of the tropical location, now with XIANA’s vocals shining even more. It’s a holiday gift for fans who made the original so successful, and also a way to underline the talents she’ll continue to share in 2026. — Juan J. Arroyo