20 New Songs to Listen to This Week From Keysokeys to Heartgaze & Easykid

11.21.25 at 07:24

This is our weekly compilation of bite-sized reviews of newly released songs by our talented music writers. Discover new favorites, read nuanced criticism of the week’s hottest releases, and much more. Who knows, you might walk out of this with a new fave or two. Some of the featured artists include Keysokeys, Heartgaze with EASYKID, and Planta Industrial. Follow our playlist featuring these tracks and more on Spotify or Apple Music.

Keysokeys - “Como Vengo”

Keysokeys’ 2023 release Inmortal was a surprising and boisterous debut for an artist that had been making waves—and was even included in Remezcla’s The Rise profile highlighting Puerto Rico’s promising new talents. Last year she brought the fiery “Mini-iniM,” but now, nearly a year later, Keys is finally ready to show the world what she’s been up to. “Como Vengo,” the first single off her upcoming sophomore EP, features her at her absolute best; firing dagger-sharp bars coupled with a throwback rap beat that circles back around to sounding fresh. Already in the bag and dropping early next year, her new project promises to remind fools that she’s not here to play. — Juan J. Arroyo

Heartgaze, EASYKID - “Fatal”

The prolific Argentina-born, Chile-adopted electronic producer Heartgaze continues teasing banger cuts from his forthcoming full-length debut Tutorial de Como Creer, lamenting a love hangover on the new single, “Fatal.” Tapping his longtime friend and collaborator, the Chilean reggaeton superstar EASYKID, the pair ruminate on the loneliness of imbalanced romances, likening love to a substance that can be deprived or overdosed. “No me uses más ni me abuses más / ‘toy sentimental, me siento fatal / mira como me dejas,” they sing on the devastating chorus, slick bars gliding over twanging shoegaze guitars and jittery jerk drums. But the lesson here is that love can take any number of shapes and expressions, with EASYKID longing for lowkey cuddles at home, while Heartgaze promises a paramour their bond is as real as his prized Pradas. — Richard Villegas

Planta Industrial - "Arthur Ave”

Dominican rising powerhouses Planta Industrial release their anticipated debut EP Punk Wave Sin Barreras Vol. 1: Conociéndonos. With it comes a focus single “Arthur Ave,” which taps straight into the Bronx’s DNA. The track is a rowdy collision of punk-wave grit and old-school hip-hop flair, built around a sample of Big Pun’s “Twinz (Deep Cover 98).” Visually and sonically, the release pays homage to the legends who raised them while carving out a lane entirely their own, showcasing a signature mixture of metal, punk, rap, and electronic textures that hit with full force in this chaotic, punchy cut. The release also channels a rawness rooted in the multicultural noise of growing up between New York and the Dominican Republic that zeros in on the Bronx as a fully alive and unpolished visceral reality. “Arthur Ave,” along with the rest of the EP, turns familiar nostalgic aural palettes into something unruly and unmistakably their own, cementing Planta Industrial as one of the most exciting new groups reshaping Latine alternative. – Jeanette Diaz

Bebo Dumont - “Me Tenía Que Pasar”

Puerto Rican singer Bebo Dumont is back with his newest and debut EP, El Que No Llora No Mama. The focus single “Me Tenía Que Pasar” narrates a story about getting his relationship karma on top of a sensual bachata with an electronic synth-inspired intro. With catchy lyrics like, “Estoy pagando todas contigo / Algún día me tenía que pasar / Yo te he enseñado a engañar / Y ahora eres mala / Siempre juegas conmigo,” Dumont reflects on his previous less-than-honest relationships and how he was bound to getting what he deserves in this new relationship. At the end of the track, he expresses remorse—but not without making it clear that if she’s “mala,” he’s “peor.” Will his karma ever end? In a nutshell, El Que No Llora No Mama explores Caribbean rhythms with special collaborations by Joyce Santana and Monsieur Periné. – Jeanette Hernandez

AJULIACOSTA - “O que a Julia vai ser?”

Brazilian rapper AJULIACOSTA’s newest release poses the ultimate existential question: “What do I want?” In “O Que a Julia Vai Ser?,” the artist divulges to the audience her innermost debates and dilemmas, mostly centered about choosing between what is right and what is easy. Costa’s lyrics also highlight the careful steps she must take as a Black woman in music to not be purposefully misunderstood by a prejudiced market. Both a satirical commentary on current times and a personal rant, the track proves that no matter what Julia wants; what she deserves is the spotlight. – Júlia Henn

Sunset Images - “Olvidamos”

Mexico City’s heavy psych act Sunset Images continues to redefine what heavy trip music should sound like in this decade, and “Olvidamos” is a firm step forward in their evolution. While in the past they have resorted to all-out cacophony to express their unrest, this song is slightly more radio-friendly, featuring a head-bobbing rhythm punctuated by a catchy bassline, all the while noise surrounds the listener. We can find an inherent menace throughout the song, yet things remain in control, if barely. With “Olvidamos,” Sunset Images provides a whole new way for rock music to develop in this decade and beyond. — Marcos Hassan

Rubio - “Silencio (feat. Salt Cathedral)”

Genre-bending Chilean artist Rubio slowly keeps on painting for us the full picture of her upcoming new full-length, and she has now dropped “Silencio,” the album’s third single, in collaboration with Colombian duo and fellow FAMA Collective labelmates Salt Cathedral. Crafted alongside Pablo Stipicic, “Silencio” is an understated dance track with muted guitar-led instrumentation that allows Rubio and Salt Cathedral’s Juliana Ronderos voices to shine, escalating from simple melodies on the verses to adorned gliding vocals on the chorus. As its title suggests, “Silencio” is Rubio finding truth and power in silence, choosing introspection in a world filled with noise. She’s not shy, but she prefers to speak when it matters and just listen and observe instead. – Cheky

maJa - “NADIE TV”

Irreverent, rebellious, and even dropping a dissatisfied UGH! mid verse, Dominican artist maJa presents “NADIE TV,” a single that breaks her two year long silence. And break it she does, as the sound feels perfect to vibe with your girls while getting ready, or joining a modern and consensual mosh pit. With sounds that fit perfectly within the classic indie rock and pop-punk vibe, but with current touches of electronic distortion both to her voice and the instruments, maJa reflects on the fact that sometimes we worry too much about judgement from others when perhaps they are not even watching. “How many days does it take to get over one?,” she asks, wondering about how common it is for us to linger on a bad moment for far too long, instead of just kicking it away and rocking on. Produced by Gian Rojas from Dominican band Solo Fernández, the track highlights her voice as she expresses her message both softly and angstily. A stylish and powerful visual accompanies the song, where anonymous figures join her in brutalist gray environments with bright red accents. We cannot wait to see what she brings after clearly being aware that the only perspective that matters about her, is her own. – La Morra Lisa

Shirel - “A MAL TIEMPO BUENO CARA”

After some career-defining highlights, the latest single from Chilean singer Shirel continues a victory lap in musical milestones. It’s been a great year for Shirel. After releasing the first single to her forthcoming project, Shirel’s career has been highlighted with breakthroughs such as winning her first Latin Grammy for songwriting and collaborating with FIFA Sound to write an original song representing Chile for the World Cup. Her latest single takes these victories in stride and revels in the glory, progressing her confidence into new, yet familiar musical territories. “A MAL TIEMPO BUENO CARA” is a 2000s’ kissed display of rock attitude and alternative soundscapes. First being teased during Latin Grammy week, the track is defined by soft-rock tendencies; abrasive drum beats, gentle acoustic chords, and a catchy chorus. – Alan Baez

Dani Rodríguez, Akapellah - “Plegarias”

In a collaboration that embraces the significance of spirituality, “Plegarias” brings us two stellar voices from Argentina and Venezuela: Dani Rodriguez brings forth elements of Argentine folklore mixed with hip-hop, joined by none other than one of the most influential voices of the Latine rap genre, Akapellah. The duo explores faith as a guiding force, recognizing that they have an angel to hold onto and always keep with them, both in thought and in prayer. Although they’ve never seen this protective angel, they feel its presence accompanying them at all times. The song connects the terrestrial with the spiritual, intertwining vulnerability, intuition, and the power of trusting in what cannot be seen. Rodriguez’s voice cannot be described as anything other than angelic, and when combined with Akapellah’s signature flow, the result is a track powerful enough to send chills down your spine. “Plegarias” marks a new chapter for Rodriguez and is featured on her recently released EP “AMÉN.” – Natasha Melina Argudo

FE7O - “Que Jodia Tristeza”

At the top of this year, FE7O released his album Cervezas y Tabacos, which has held up as one of the more solid releases of 2025. His laidback flow that never lacks in sentiment, first introduced in his jazzy debut OCIO, made for great music. Recently, he’s teamed up with Mr Sonic, Amazon Music’s producer-in-residence, for his next project, and “Que Jodia Tristeza” is the first result of that union. The song captures the lovestruck tone that’s been present in his previous tracks, but with a refreshing, clear-eyed approach to the emotions within. FE7O is a promising prospect in alt-pop/R&B, and 2026 promises even more growth. — Juan J. Arroyo

Estamos Perdidos - “La Fiesta/María”

Riding high after a successful tour through Peru and Colombia, the Ecuadorian post-punk band Estamos Perdidos is back, giving fans what they love: visceral thrashing. On their new double single “La Fiesta/María,” buzzing guitars and ferocious hooks from singer Pixie lay the foundation for adrenaline-pumping exorcisms of angst and self-doubt. The Breeders-evocative “La Fiesta” captures the frustrating limbo of feeling trapped at a party, followed by the harrowing dissociation of seeing your crush flirting with everyone but you. On the flip side, the pop-punk tirade of “María Cometió Mutilación” plays out like a scene out of The Substance, with the titular protagonist frantically wiping makeup from her face, as if no longer recognizing herself behind the cosmetics. The result is a riveting, paranoid five minute jolt of rock n’ roll from one of South America’s most promising young acts. — Richard Villegas

Mari La Carajita - “Marik YA!”

Rising Venezuelan act Mari La Carajita shares her new single “Marik YA!,” a sharp and captivating release that seamlessly fuses the modern edge of el movimiento with an earthy, percussive backbone of traditional Venezuelan drums. The story picks up where heartbreak hits a wall, delivered like the kind of blunt yet loving advice you’d get from a friend who refuses to watch you settle for less. Using a phrase taken from everyday slang for when enough is enough, she channels the moment when affection turns into affliction and the heart begins to run on exhaustion until the only thing left to say is “marik YA!” A universally understood feeling, the track flips a popular breakup phrase into something collective and liberating. Paired with its vibrant visuals filmed in La Isabelica, the release transmutes into a celebration of sisterhood and the grounding force of community. It’s an upbeat and rhythmic reminder that sometimes healing is communal, and begins with one woman looking at another and reminding her that she deserves far more than to shrink herself for someone else. – Jeanette Diaz

Shonny - “Pausa”

Following her collaboration “En Tu Lugar” with Daniel Nasa, Shonny released her newest single “Pausa.” The new track exudes R&B, electronic, and pop tinges on the soundscape as the Colombian artist confesses that, through many pauses, a love can be ultimately broken. “Pausa” is a gentle reminder that you have to deal with any type of relationship’s problems directly, rather than letting them pile up and later feeling disconnected from the other person. So why wait until the end to fix it? With Shonny’s enticing vocals, the track urges you to reflect on what could be fixed now rather than looking back on what-ifs. “Pausa” is part of Shonny’s next album, Ave del Paraíso. – Jeanette Hernandez

Traz Agua - “Na Cidade”

The true difficulty in making purely instrumental music is transporting your audience to the mental state you originally intended without the aid of well-placed lyrics. With their self-titled debut EP, producer duo Traz Agua proves that it is possible to convey feelings of pride in one’s culture and nostalgia even in electronic, instrumental tracks. The album is organized in a crescendo that culminates in “Na Cidade,” the final song of the EP, that best showcases the duo’s ability to create impactful and meaningful melodies, while still making them thoroughly enjoyable. Contrasting with the rest of the tracks on the album in intention and power, “Na Cidade” is a visceral creation that reflects the best of what Traz Agua has to offer to the world. – Júlia Henn

Bad Gyal - “FUMA”

Having started out as dancehall en español’s greatest exponent, Bad Gyal has since inhabited many different musical genres. Yet, as “FUMA” proves, her roots in Jamaican riddims remain an integral part of her musical output. On the surface, this track is a club-ready banger full of four-on-the-floor beats and synthlines to get seduced by, yet you can hear her roots in the way she performs her vocals, full of confidence and bravado, and with just enough concession to pop to make everything click. As a result, “FUMA” is the type of track that can blend in on any dance floor yet stands out thanks to its unapologetic attitude. — Marcos Hassan

Phran, Pocz & Florentino - “Zarbak II”

For Xenia, his latest EP on Club Romantico, Barcelona-based Venezuelan electronic music producer Phran recovered one of the biggest track in his discography: his 2009 collaboration with Pocz “Zarbak” (signed as Pacheko), and commissioned labelhead Florentino with an updated version, aptly titled “Zarbak II.” The original track keeps on dropping on DJ sets around the world as a secret weapon to smash dancefloors with its changa inspiration filtered to a U.K. bass lens and laced with Caribbean flavor, so Florentino’s rework does enough to give it a 2025 refresh. It’s brighter, hits harder, and has rave-inspired sections that pump up the party, but its original rhythm and signature neurotic synth riff are what keeps pulling us in. – Cheky

Carolina Ross - “El Target (feat. Denise Gutierrez)”

Bright and soulful instrumentation fitting of a Mariachi classic kick off “El Target,” the new single from Carolina Ross’ upcoming project Coleccionando Corazones. The first verses are distorted in a way that sounds like an old record you’d find in a dusty box full of treasures, but we are quickly pulled back into the present by a pristine production that envelops the soft and virtuous voices of Carolina Ross, in this case joined in a beautiful back and forth with icon Denise Gutierrez. The accompanying visuals feel as warm and organic as a meeting with friends, motivated by a few tequilas and rocking a killer modern cowgirl look. Stories of failed love are shared while making sure there is growth and a learning experience as the main goals. Both strong voices communicate perfectly the desolate story told through lyrics like, “Let me turn your name off in my throat, it just can’t take it.” And as they harmonize more and more as the track goes on, they are joined by a beautiful choir that takes the sound from that intimate setting into what feels like a recording in a massive arena, which by the looks of it, is where Carolina Ross will be performing exclusively in the very near and far future. — La Morra Lisa

Gabriel Dinero - “tranquilo 01”

There are numerous moments worthy of praise on the latest EP for Guatemalan singer-songwriter Gabriel Dinero, but no song deserves it for its notes of intimate songwriting and silky production like “tranquilo 01.” As a whole, cara ajena moves with a lot of intentional moves behind it by the young London-based artist, incorporating some of the most forward thinking elements of alternative R&B, while still sticking close to home in terms of lyricism and execution. It’s an EP emboldened in its aesthetic and confident in its finish. Building off moody tempos and an incredibly seductive synth chorus, “tranquillo 01” is inventive in its own particular way, taking elements from R&B, Latine pop, and lo-fi and shaping it into one sonically mesmerizing experience. – Alan Baez

Dayan, Cubo - “Secuelas”

Dayan doesn’t shy away from wearing his heart on his sleeve or facing the consequences that come with it in his newest release “Secuelas.” The song takes you on an emotional journey from start to finish, immediately hitting you with lyrics and thoughts that cut deep, making you wonder why somebody would come into your life just to leave you worse off than they found you. Although it’s hard to come to terms with the hurt, at some point you find yourself telling them to go on and leave as you try to pick yourself up and put yourself back together. A lesson that unfortunately many of us have learned at one point or another, sometimes there are people you’d give everything to just to receive nothing in return. The song is entirely Ecuadorian-made, brought to you by singer-songwriter Dayan and producer Cubo, the lyrics are heartwrenching and relatable. “Secuelas” will accompany you in feelings of heartbreak all while giving you a magnetic beat merging urban and pop sounds, transcending into its own genre, música de despecho bailable. – Natasha Melina Argudo

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