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							<title>Alan Sabbagh on Why &#8216;El Rey del Once&#8217;s Berlin Film Festival Premiere Was a Milestone for Jews</title>
							<link>https://remezcla.com/features/film/alan-sabbagh-the-tenth-man-interview/</link>
							<dc:creator><![CDATA[Manuel Betancourt]]></dc:creator>
							<pubDate>Tue, 26 Jul 2016 22:27:16 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[Alan Sabbagh]]></category>
		<category><![CDATA[daniel burman]]></category>
		<category><![CDATA[el rey del once]]></category>
		<category><![CDATA[interview]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?post_type=re_features&#038;p=188894</guid>
															<description><![CDATA[<p>Sometimes, the original Spanish title tells you more about a film than its English translation. Case in point: while The Tenth Man alludes to Jewish funeral traditions that Daniel Burman’s latest film addresses, El rey del Once’s more playful title gets at the film’s tone more obviously. Then again, one would need to know that</p>
<p>The post <a href="https://remezcla.com/features/film/alan-sabbagh-the-tenth-man-interview/">Alan Sabbagh on Why &#8216;El Rey del Once&#8217;s Berlin Film Festival Premiere Was a Milestone for Jews</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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