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							<title>10 Latino Directors Who Absolutely Killed it This Year</title>
							<link>https://remezcla.com/lists/film/10-latino-directors-who-killed-it-2017/</link>
							<dc:creator><![CDATA[Remezcla Estaff]]></dc:creator>
							<pubDate>Tue, 19 Dec 2017 00:05:21 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[2017 in review]]></category>
		<category><![CDATA[Adrian Molina]]></category>
		<category><![CDATA[america ferrera]]></category>
		<category><![CDATA[Antonio Santini]]></category>
		<category><![CDATA[aurora guerrero]]></category>
		<category><![CDATA[Beatriz at Dinner]]></category>
		<category><![CDATA[coco]]></category>
		<category><![CDATA[Dolores]]></category>
		<category><![CDATA[Gente-Fied]]></category>
		<category><![CDATA[Gloria Calderon Kellet]]></category>
		<category><![CDATA[Janicza Bravo]]></category>
		<category><![CDATA[lemon]]></category>
		<category><![CDATA[Marvin Lemus]]></category>
		<category><![CDATA[miguel arteta]]></category>
		<category><![CDATA[natalia almada]]></category>
		<category><![CDATA[Peter Bratt]]></category>
		<category><![CDATA[Queen Sugar]]></category>
		<category><![CDATA[superstore]]></category>
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															<description><![CDATA[<p>For those would-be directors born in Latin America finding funding for a new production involves applying for dozens of grants provided by their country&#8217;s film institute or local government money earmarked for the arts. There&#8217;s also European organizations that target filmmakers in the &#8220;developing world&#8221; and Ibermedia, a consortium of film institutes that support co-productions</p>
<p>The post <a href="https://remezcla.com/lists/film/10-latino-directors-who-killed-it-2017/">10 Latino Directors Who Absolutely Killed it This Year</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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							<title>From &#8216;Star Wars&#8217; to Sundance: This Podcast Uncovers How Latinos Shape the Movie Business</title>
							<link>https://remezcla.com/film/silver-screen-latino-usa/</link>
							<dc:creator><![CDATA[Vanessa Erazo]]></dc:creator>
							<pubDate>Fri, 03 Mar 2017 20:24:38 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[Antonio Santini]]></category>
		<category><![CDATA[Bernardo Ruiz]]></category>
		<category><![CDATA[diego luna]]></category>
		<category><![CDATA[dracula]]></category>
		<category><![CDATA[Latino USA]]></category>
		<category><![CDATA[Linda Yvette Chavez]]></category>
		<category><![CDATA[lupita tovar]]></category>
		<category><![CDATA[Marvin Lemus]]></category>
		<category><![CDATA[star wars rogue one]]></category>
		<category><![CDATA[william caballero]]></category>
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															<description><![CDATA[<p>With so many options available to watch movies – Netflix, iTunes, Hulu, Blu-ray, and the somehow now old-school-seeming DVD – it&#8217;s easy to forget that there was a time when going to the cinema was a special event. You&#8217;d get dressed up, buy tickets, load up on snacks, and settle into a comfy chair in</p>
<p>The post <a href="https://remezcla.com/film/silver-screen-latino-usa/">From &#8216;Star Wars&#8217; to Sundance: This Podcast Uncovers How Latinos Shape the Movie Business</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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							<title>American Latinos Don&#8217;t Make it to Sundance Often, But These Filmmakers Hustled Hard</title>
							<link>https://remezcla.com/features/film/american-latinos-sundance-film-festival-2017/</link>
							<dc:creator><![CDATA[Vanessa Erazo]]></dc:creator>
							<pubDate>Sat, 18 Feb 2017 06:41:23 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[Antonio Santini]]></category>
		<category><![CDATA[Dolores]]></category>
		<category><![CDATA[Elaine del Valle]]></category>
		<category><![CDATA[Gente-Fied]]></category>
		<category><![CDATA[Latino USA]]></category>
		<category><![CDATA[Linda Yvette Chavez]]></category>
		<category><![CDATA[Marvin Lemus]]></category>
		<category><![CDATA[Peter Bratt]]></category>
		<category><![CDATA[sundance film festival]]></category>
		<category><![CDATA[william caballero]]></category>
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															<description><![CDATA[<p>Latinos born in the United States come up against a unique set of challenges compared to directors working in Latin America who often have access to government funding for their projects. The glaring differences are evidenced in the vast disparity between the amount of Latin American movies circling the globe at Class-A festivals compared to</p>
<p>The post <a href="https://remezcla.com/features/film/american-latinos-sundance-film-festival-2017/">American Latinos Don&#8217;t Make it to Sundance Often, But These Filmmakers Hustled Hard</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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																		<media:title>&#8220;Dolores&#8221; Premiere &#8211; 2017 Sundance Film Festival</media:title>
																												<media:text>Benjamin Bratt and Director Peter Bratt attend &#039;Dolores&#039; premiere at Sundance Film Festival on January 20, 2017 in Park City, Utah. Photo by Alberto E. Rodriguez/Getty Images for Sundance Film Festival</media:text>
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