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							<title>Armando Ibañez On Crafting &#8216;UndocuTales&#8217; Season 3 With a Bigger Budget &#038; More Inclusive Crew</title>
							<link>https://remezcla.com/features/film/undocutales-armando-ibanez-undocumented-queer-web-series/</link>
							<dc:creator><![CDATA[Manuel Betancourt]]></dc:creator>
							<pubDate>Tue, 05 Nov 2019 22:24:49 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[Armando Ibanez]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[LGBTQ]]></category>
		<category><![CDATA[Undocumented]]></category>
		<category><![CDATA[web series]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?post_type=re_features&#038;p=270765</guid>
															<description><![CDATA[<p>For close to five years,&#160;Undocumented Tales&#160;has been a passion project for Armando Ibañez. The web series, which is currently wrapping up postproduction on its third season, was borne out of the budding filmmaker&#8217;s desire to see stories about people like him on screen. A self-described Latinx queer filmmaker and activist from Mexico, Ibañez writes, directs</p>
<p>The post <a href="https://remezcla.com/features/film/undocutales-armando-ibanez-undocumented-queer-web-series/">Armando Ibañez On Crafting &#8216;UndocuTales&#8217; Season 3 With a Bigger Budget &#038; More Inclusive Crew</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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																		<media:title>Undocutales still 03</media:title>
																												<media:text>Courtesy of the filmmaker</media:text>
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							<title>&#8216;Con Cámaras y Sin Papeles&#8217; Is a Powerful Video Installation Showcasing Undocumented Directors</title>
							<link>https://remezcla.com/features/film/con-camaras-sin-papeles-undocumented-directors-laliff/</link>
							<dc:creator><![CDATA[Samanta Helou]]></dc:creator>
							<pubDate>Wed, 27 Jun 2018 20:57:27 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[activism]]></category>
		<category><![CDATA[Armando Ibanez]]></category>
		<category><![CDATA[Culture Strike]]></category>
		<category><![CDATA[immigration]]></category>
		<category><![CDATA[Julio Salgado]]></category>
		<category><![CDATA[LALIFF]]></category>
		<category><![CDATA[Marcos Nieves]]></category>
		<category><![CDATA[Nancy Meza]]></category>
		<category><![CDATA[Rafa Esparza]]></category>
		<category><![CDATA[undocumented immigrants]]></category>
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															<description><![CDATA[<p>Inside Hollywood’s historic Chinese Theater, 16 films made by undocumented people screened in an installation called, “Con Cámaras y Sin Papeles: A Decade of Undocumented Storytelling,” curated for LALIFF this past weekend. As guests made their way into the theater, they passed by curtains of sparkling gold fringe and eight screens lit up with images.</p>
<p>The post <a href="https://remezcla.com/features/film/con-camaras-sin-papeles-undocumented-directors-laliff/">&#8216;Con Cámaras y Sin Papeles&#8217; Is a Powerful Video Installation Showcasing Undocumented Directors</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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																		<media:title>IMG_8325 Julio Salgado LALIFF Art Undocumented</media:title>
																												<media:text>Photo by Samanta Helou </media:text>
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