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							<title>Away From the Male Gaze: The Changing Face of Female Sexuality in Latin American Cinema</title>
							<link>https://remezcla.com/features/film/los-cabos-film-festival-female-sexuality/</link>
							<dc:creator><![CDATA[Manuel Betancourt]]></dc:creator>
							<pubDate>Fri, 17 Nov 2017 17:54:52 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[Ayer maravilla fui]]></category>
		<category><![CDATA[Battle of the Sexes]]></category>
		<category><![CDATA[lgbt]]></category>
		<category><![CDATA[LGBTQ]]></category>
		<category><![CDATA[Los Cabos Film Festival]]></category>
		<category><![CDATA[Los días más oscuros de nosotras]]></category>
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															<description><![CDATA[<p>If there was one recurring image I was pleasantly surprised to find in several of the films playing at Los Cabos International Film Festival it was that of two women cradling each other in bed. It was there in the opening film, Battle of the Sexes, where we see tennis pro Billie Jean King (Emma</p>
<p>The post <a href="https://remezcla.com/features/film/los-cabos-film-festival-female-sexuality/">Away From the Male Gaze: The Changing Face of Female Sexuality in Latin American Cinema</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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																												<media:text>&#039;Ayer maravilla fui&#039; still courtesy of Los Cabos International Film Festival</media:text>
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							<title>Mexican Director Gabriel Mariño On Creating a Melancholy Drama About a Soul That Changes Bodies Every Few Months</title>
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							<dc:creator><![CDATA[Manuel Betancourt]]></dc:creator>
							<pubDate>Tue, 14 Nov 2017 22:35:05 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[Ayer maravilla fui]]></category>
		<category><![CDATA[Gabriel Mariño]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[Los Cabos Film Festival]]></category>
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															<description><![CDATA[<p>Gabriel Mariño&#8217;s latest film,&#160;Ayer maravilla fui&#160;(Yesterday Wonder I Was)&#160;borrows its title from a 1621 poem (&#8220;Aprended, Flores, en mí&#8221;) by&#160;Luis de Góngora. It encourages viewers to finish the sentence: &#8220;ayer maravilla fui, y hoy sombra mía aun no soy.&#8221; (I was a wonder yesterday but I&#8217;m not yet my own shadow today.) The poetic air</p>
<p>The post <a href="https://remezcla.com/features/film/gabriel-marino-ayer-maravilla-fui-los-cabos-film-festival-2017/">Mexican Director Gabriel Mariño On Creating a Melancholy Drama About a Soul That Changes Bodies Every Few Months</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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																												<media:text>&#039;Ayer maravilla fui&#039; still courtesy of Los Cabos International Film Festival</media:text>
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