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							<title>Haiti and the Dominican Republic Share a Common Hero: Anacaona</title>
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							<dc:creator><![CDATA[Ibi Zoboi]]></dc:creator>
							<pubDate>Wed, 14 Mar 2018 20:15:50 +0000</pubDate>
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		<category><![CDATA[Bordering the Imaginary: Art from the Dominican Republic]]></category>
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															<description><![CDATA[<p>The Brooklyn-based arts organizations&#160;BRIC&#160;and&#160;Haiti Cultural Exchange&#160;teamed up on the occasion of the visual art exhibition,&#160;Bordering the Imaginary: Art from the Dominican Republic, Haiti, and their Diasporas&#160;to ask four local thinkers of Haitian and Dominican descent to write about their personal experiences of border between the two nations.&#160;What ideas did they grow up with, and what</p>
<p>The post <a href="https://remezcla.com/features/culture/haiti-and-the-dominican-republic-share-a-common-hero-anacaona/">Haiti and the Dominican Republic Share a Common Hero: Anacaona</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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																												<media:text>Nyugen E. Smith, &#039;Bundlehouse: Borderlines no. 6,&#039; 2018. Courtesy of the Nyugen E. Smith and BRIC.</media:text>
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							<title>The Dominican-Haitian Border Has Always Been a Revolutionary Space</title>
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							<dc:creator><![CDATA[Edward Paulino]]></dc:creator>
							<pubDate>Wed, 14 Mar 2018 20:09:38 +0000</pubDate>
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															<description><![CDATA[<p>The Brooklyn-based arts organizations&#160;BRIC&#160;and&#160;Haiti Cultural Exchange&#160;teamed up on the occasion of the visual art exhibition,&#160;Bordering the Imaginary: Art from the Dominican Republic, Haiti, and their Diasporas&#160;to ask four local thinkers of Haitian and Dominican descent to write about their personal experiences of border between the two nations.&#160;What ideas did they grow up with, and what</p>
<p>The post <a href="https://remezcla.com/features/culture/the-dominican-haitian-border-has-always-been-a-revolutionary-space/">The Dominican-Haitian Border Has Always Been a Revolutionary Space</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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																												<media:text>Edouard Duval-Carrie, &#039;Hispañola Saga El tigere y el congo&#039;, 2016. Courtesy of Edouard Duval-Carrie and BRIC</media:text>
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							<title>Kiskeya Is a Term That Belongs to Both Dominicans and Haitians</title>
							<link>https://remezcla.com/features/culture/kiskeya-for-short/</link>
							<dc:creator><![CDATA[Albert Saint Jean]]></dc:creator>
							<pubDate>Wed, 14 Mar 2018 19:58:43 +0000</pubDate>
									<category><![CDATA[Culture]]></category>
		<category><![CDATA[Bordering the Imaginary: Art from the Dominican Republic]]></category>
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							<guid isPermaLink="false">https://local.remezcla.com?post_type=re_features&#038;p=237571</guid>
															<description><![CDATA[<p>The Brooklyn-based arts organizations&#160;BRIC&#160;and&#160;Haiti Cultural Exchange&#160;teamed up on the occasion of the visual art exhibition,&#160;Bordering the Imaginary: Art from the Dominican Republic, Haiti, and their Diasporas&#160;to ask four local thinkers of Haitian and Dominican descent to write about their personal experiences of border between the two nations.&#160;What ideas did they grow up with, and what</p>
<p>The post <a href="https://remezcla.com/features/culture/kiskeya-for-short/">Kiskeya Is a Term That Belongs to Both Dominicans and Haitians</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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																												<media:text>Scherezade Garcia, &#039;Acariciando el chivo (Caressing the goat)&#039;, 2017. Courtesy of Scherezade Garcia and BRIC</media:text>
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							<title>The Case for Adopting the Term &#8220;HaitianDominican&#8221;</title>
							<link>https://remezcla.com/features/culture/haitiandominican-not-haitian-dominican/</link>
							<dc:creator><![CDATA[Suhaly Bautista-Carolina]]></dc:creator>
							<pubDate>Wed, 14 Mar 2018 19:51:34 +0000</pubDate>
									<category><![CDATA[Culture]]></category>
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		<category><![CDATA[Bordering the Imaginary: Art from the Dominican Republic]]></category>
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															<description><![CDATA[<p>The Brooklyn-based arts organizations&#160;BRIC&#160;and&#160;Haiti Cultural Exchange&#160;teamed up on the occasion of the visual art exhibition,&#160;Bordering the Imaginary: Art from the Dominican Republic, Haiti, and their Diasporas&#160;to ask four local thinkers of Haitian and Dominican descent to write about their personal experiences of border between the two nations.&#160;What ideas did they grow up with, and what</p>
<p>The post <a href="https://remezcla.com/features/culture/haitiandominican-not-haitian-dominican/">The Case for Adopting the Term &#8220;HaitianDominican&#8221;</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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																												<media:text>Fabiola Jean-Louis, &#039;Madame Beauvoir’s Painting,&#039; 2016. Courtesy of Fabiola Jean-Louis and BRIC</media:text>
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