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							<title>Here&#8217;s Your Chance to See the Best of Latin American Cinema on the Big Screen</title>
							<link>https://remezcla.com/film/cinema-tropical-festival-2018/</link>
							<dc:creator><![CDATA[Manuel Betancourt]]></dc:creator>
							<pubDate>Wed, 31 Jan 2018 20:55:55 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[Araby]]></category>
		<category><![CDATA[cinema tropical festival]]></category>
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		<category><![CDATA[El pacto de Adriana]]></category>
		<category><![CDATA[Memories of a Penitent Heart]]></category>
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															<description><![CDATA[<p>After unveiling the winners for the 8th annual Cinema Tropical awards, the New York City-based nonprofit has teamed up yet again with the Museum of the Moving Image to showcase the lauded films. For a full weekend, the Cinema Tropical Festival takes over the cinephile mecca in Astoria, Queens to offer audiences a chance to</p>
<p>The post <a href="https://remezcla.com/film/cinema-tropical-festival-2018/">Here&#8217;s Your Chance to See the Best of Latin American Cinema on the Big Screen</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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							<title>It’s Official: Brazil, Argentina, and Venezuela Produced the Best Latin American Films of 2017</title>
							<link>https://remezcla.com/film/cinema-tropical-winners-2017/</link>
							<dc:creator><![CDATA[Manuel Betancourt]]></dc:creator>
							<pubDate>Fri, 12 Jan 2018 05:44:26 +0000</pubDate>
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															<description><![CDATA[<p>It&#8217;s not every day that we can boast about an awards announcement that solely celebrates Latinos. That&#8217;s because there are few organizations quite like Cinema Tropical handing out such accolades. The New York City-based nonprofit&#160;media arts organization handed out its annual awards (now in their 8th year) this week. As we knew from their long</p>
<p>The post <a href="https://remezcla.com/film/cinema-tropical-winners-2017/">It’s Official: Brazil, Argentina, and Venezuela Produced the Best Latin American Films of 2017</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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							<title>Eduardo Williams on Making a Film About What Argentines, Mozambicans &#038; Filipinos Have in Common</title>
							<link>https://remezcla.com/features/film/interview-eduardo-williams-the-human-surge/</link>
							<dc:creator><![CDATA[Steve Macfarlane]]></dc:creator>
							<pubDate>Thu, 22 Sep 2016 22:47:19 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[eduardo williams]]></category>
		<category><![CDATA[el auge humano]]></category>
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		<category><![CDATA[new york film festival]]></category>
		<category><![CDATA[Toronto Film Festival]]></category>
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															<description><![CDATA[<p>In their own gilded, decadent way, film festivals can be rough; I probably spent more time rearranging my Toronto International Film Festival schedule than sitting in an actual movie theater. If a colleague hadn’t advised to me that “Teddy Williams is the future,” I might never have hot-footed it over to the final public screening</p>
<p>The post <a href="https://remezcla.com/features/film/interview-eduardo-williams-the-human-surge/">Eduardo Williams on Making a Film About What Argentines, Mozambicans &#038; Filipinos Have in Common</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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