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							<title>How One Film School Is Fighting to Get More Latinos in the Director&#8217;s Chair</title>
							<link>https://remezcla.com/features/film/feirstein-graduate-school-cinema-latino-students/</link>
							<dc:creator><![CDATA[Manuel Betancourt]]></dc:creator>
							<pubDate>Tue, 29 May 2018 21:05:58 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[Amanda Reyes]]></category>
		<category><![CDATA[Christian Fernandez]]></category>
		<category><![CDATA[Feirstein Graduate School of Cinema]]></category>
		<category><![CDATA[film school]]></category>
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															<description><![CDATA[<p>As it readies to launch its first ever graduating class out into the world, the Feirstein Graduate School of Cinema in Brooklyn is sending one clear message to Hollywood: if you want to change the systemic barriers that keep certain groups out of the film industry, you need to invest and nurture a new kind</p>
<p>The post <a href="https://remezcla.com/features/film/feirstein-graduate-school-cinema-latino-students/">How One Film School Is Fighting to Get More Latinos in the Director&#8217;s Chair</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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																		<media:title>Still from Rosa&#8217;s Esperanza</media:title>
																												<media:text>Still from &#039;Rosa&#039;s Esperanza&#039; courtesy of the filmmakers.</media:text>
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							<title>These Two Schools Are Paving the Way For Hollywood’s Multicultural Future</title>
							<link>https://remezcla.com/film/diverse-film-schools-hollywood/</link>
							<dc:creator><![CDATA[Andrew S. Vargas]]></dc:creator>
							<pubDate>Tue, 28 Feb 2017 23:18:09 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[edward james olmos]]></category>
		<category><![CDATA[Feirstein Graduate School of Cinema]]></category>
		<category><![CDATA[Latino Film Institute Youth Cinema Project]]></category>
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															<description><![CDATA[<p>It doesn’t take a hashtag campaign like #OscarsSoWhite to figure out that filmmaking has long been a white man’s game. Between the enormous costs of producing a film and the uncertain professional prospects of a film degree, the barriers to entry for traditionally marginalized communities have been virtually insurmountable. That is, until low-cost digital technologies</p>
<p>The post <a href="https://remezcla.com/film/diverse-film-schools-hollywood/">These Two Schools Are Paving the Way For Hollywood’s Multicultural Future</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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