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							<title>Why Karla Cornejo Villavicencio’s ‘The Undocumented Americans’ Is a Hardcore Masterpiece</title>
							<link>https://remezcla.com/features/culture/karla-cornejo-villavicencio-the-undocumented-americans-review-and-interview/</link>
							<dc:creator><![CDATA[Myriam Gurba]]></dc:creator>
							<pubDate>Thu, 28 May 2020 20:46:57 +0000</pubDate>
									<category><![CDATA[Culture]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[Karla Cornejo Villavicencio]]></category>
		<category><![CDATA[The Undocumented Americans]]></category>
		<category><![CDATA[writing]]></category>
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															<description><![CDATA[<p>Karla Cornejo Villavicencio kicks off her creative non-fiction masterpiece The Undocumented Americans with a three-word declaration of love: “Chinga la migra.” This inscription establishes the book’s punk sensibility while el Sagrado Corazón de Jesús (Sacred Heart—a Catholic symbol she baroquely asserts) lays down a beat. It will come as no surprise that the writer, herself</p>
<p>The post <a href="https://remezcla.com/features/culture/karla-cornejo-villavicencio-the-undocumented-americans-review-and-interview/">Why Karla Cornejo Villavicencio’s ‘The Undocumented Americans’ Is a Hardcore Masterpiece</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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																												<media:text>Karla Cornejo Villavicencio. Art by Stephany Torres for Remezcla.</media:text>
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