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							<title>Junot Díaz on Immigrant Communities: &#8220;Our Legacy Is That We Overcome Monsters&#8221;</title>
							<link>https://remezcla.com/culture/junot-diaz-immigrant-communities-legacy-overcome-monsters/</link>
							<dc:creator><![CDATA[Yara Simón]]></dc:creator>
							<pubDate>Fri, 06 Apr 2018 21:23:33 +0000</pubDate>
									<category><![CDATA[Culture]]></category>
		<category><![CDATA[immigration]]></category>
		<category><![CDATA[islandborn]]></category>
		<category><![CDATA[Junot Diaz]]></category>
		<category><![CDATA[Latino USA]]></category>
		<category><![CDATA[Maria Hinojosa]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?p=239083</guid>
															<description><![CDATA[<p>Junot Díaz is one of the literary world&#8217;s most important voices. Through his words, he&#8217;s documented life for the Dominican diaspora in the United States. It&#8217;s certainly not surprising that his latest book, Islandborn –&#160;his first foray into children&#8217;s literature that follows an Afro-Latina girl – is also rich and nuanced. In a conversation with</p>
<p>The post <a href="https://remezcla.com/culture/junot-diaz-immigrant-communities-legacy-overcome-monsters/">Junot Díaz on Immigrant Communities: &#8220;Our Legacy Is That We Overcome Monsters&#8221;</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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																		<media:title>The New Yorker Festival 2014 &#8211; Jersey Boys: David Chase, Junot Diaz, And Sam Lipsyte Moderated By David Remnick</media:title>
																												<media:text>Junot Díaz attends the Jersey Boys during The New Yorker Festival 2014.  Photo by Andrew Toth/Getty Images for The New Yorker Festival</media:text>
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							<title>Xenia Rubinos is Behind the New Theme Song for NPR&#8217;s Latino USA</title>
							<link>https://remezcla.com/music/xenia-rubinos-latino-usa-theme-song/</link>
							<dc:creator><![CDATA[Julyssa Lopez]]></dc:creator>
							<pubDate>Wed, 03 Jan 2018 19:33:21 +0000</pubDate>
									<category><![CDATA[Music]]></category>
		<category><![CDATA[Latino USA]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?p=233899</guid>
															<description><![CDATA[<p>Boricua-Cuban artist and multi-instrumentalist Xenia Rubinos is no stranger to Latino USA, the longest-running Latino-focused radio program on American public media, distributed nationally by NPR. She’s a devoted listener who says she’s regularly tuned in to learn about everything from Pedro Almodóvar movies to the Puerto Rican debt crisis—and she’s also been on the show</p>
<p>The post <a href="https://remezcla.com/music/xenia-rubinos-latino-usa-theme-song/">Xenia Rubinos is Behind the New Theme Song for NPR&#8217;s Latino USA</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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																												<media:text>Photo by Max Schiano. Courtesy of Xenia Rubinos</media:text>
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							<title>From Detention to Sanctuary: This Moving Podcast Looks at Undocumented Immigrants Under Trump</title>
							<link>https://remezcla.com/culture/latino-usa-the-new-normal/</link>
							<dc:creator><![CDATA[Adriana Cataño]]></dc:creator>
							<pubDate>Wed, 29 Mar 2017 16:31:22 +0000</pubDate>
									<category><![CDATA[Culture]]></category>
		<category><![CDATA[immigration]]></category>
		<category><![CDATA[Latino USA]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?p=213141</guid>
															<description><![CDATA[<p>As Donald Trump&#8217;s presidency moves forward, immigration continues to take center stage. Just this week, Attorney General Jeff Sessions reiterated that sanctuary cities – that is, those vowing to stand in solidarity with the undocumented community by refusing to cooperate with Immigration and Customs Enforcement (ICE) – stand to lose federal funding. In his first</p>
<p>The post <a href="https://remezcla.com/culture/latino-usa-the-new-normal/">From Detention to Sanctuary: This Moving Podcast Looks at Undocumented Immigrants Under Trump</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
]]></description>
														
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							<title>Here&#8217;s a Step-by-Step Look at How &#8216;Star Wars&#8217; Movies Are Dubbed Into Spanish</title>
							<link>https://remezcla.com/film/dubbing-rogue-one-latino-usa/</link>
							<dc:creator><![CDATA[Yara Simón]]></dc:creator>
							<pubDate>Fri, 03 Mar 2017 22:19:37 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[diego luna]]></category>
		<category><![CDATA[estar guars]]></category>
		<category><![CDATA[Héctor Gómez Gil]]></category>
		<category><![CDATA[jessica angeles]]></category>
		<category><![CDATA[Katya Ojeda]]></category>
		<category><![CDATA[Latino USA]]></category>
		<category><![CDATA[star wars]]></category>
		<category><![CDATA[star wars rogue one]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?p=209390</guid>
															<description><![CDATA[<p>Between Lalo Alcaraz&#8217;s Princess Lupe&#160;(a mashup of la Virgen de Guadalupe and Princess Leia) and the family who cholofied R2-D2, Han Solo, and Leia&#160;–&#160;US Latinos and Latin Americans have made Estar Guars Star Wars their own. The character they&#8217;ve perhaps taken the most liking to is Arturito, aka R2-D2. Across Latin America, people address the</p>
<p>The post <a href="https://remezcla.com/film/dubbing-rogue-one-latino-usa/">Here&#8217;s a Step-by-Step Look at How &#8216;Star Wars&#8217; Movies Are Dubbed Into Spanish</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
]]></description>
														
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							<title>From &#8216;Star Wars&#8217; to Sundance: This Podcast Uncovers How Latinos Shape the Movie Business</title>
							<link>https://remezcla.com/film/silver-screen-latino-usa/</link>
							<dc:creator><![CDATA[Vanessa Erazo]]></dc:creator>
							<pubDate>Fri, 03 Mar 2017 20:24:38 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[Antonio Santini]]></category>
		<category><![CDATA[Bernardo Ruiz]]></category>
		<category><![CDATA[diego luna]]></category>
		<category><![CDATA[dracula]]></category>
		<category><![CDATA[Latino USA]]></category>
		<category><![CDATA[Linda Yvette Chavez]]></category>
		<category><![CDATA[lupita tovar]]></category>
		<category><![CDATA[Marvin Lemus]]></category>
		<category><![CDATA[star wars rogue one]]></category>
		<category><![CDATA[william caballero]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?p=209714</guid>
															<description><![CDATA[<p>With so many options available to watch movies – Netflix, iTunes, Hulu, Blu-ray, and the somehow now old-school-seeming DVD – it&#8217;s easy to forget that there was a time when going to the cinema was a special event. You&#8217;d get dressed up, buy tickets, load up on snacks, and settle into a comfy chair in</p>
<p>The post <a href="https://remezcla.com/film/silver-screen-latino-usa/">From &#8216;Star Wars&#8217; to Sundance: This Podcast Uncovers How Latinos Shape the Movie Business</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
]]></description>
														
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							<title>American Latinos Don&#8217;t Make it to Sundance Often, But These Filmmakers Hustled Hard</title>
							<link>https://remezcla.com/features/film/american-latinos-sundance-film-festival-2017/</link>
							<dc:creator><![CDATA[Vanessa Erazo]]></dc:creator>
							<pubDate>Sat, 18 Feb 2017 06:41:23 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[Antonio Santini]]></category>
		<category><![CDATA[Dolores]]></category>
		<category><![CDATA[Elaine del Valle]]></category>
		<category><![CDATA[Gente-Fied]]></category>
		<category><![CDATA[Latino USA]]></category>
		<category><![CDATA[Linda Yvette Chavez]]></category>
		<category><![CDATA[Marvin Lemus]]></category>
		<category><![CDATA[Peter Bratt]]></category>
		<category><![CDATA[sundance film festival]]></category>
		<category><![CDATA[william caballero]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?post_type=re_features&#038;p=207719</guid>
															<description><![CDATA[<p>Latinos born in the United States come up against a unique set of challenges compared to directors working in Latin America who often have access to government funding for their projects. The glaring differences are evidenced in the vast disparity between the amount of Latin American movies circling the globe at Class-A festivals compared to</p>
<p>The post <a href="https://remezcla.com/features/film/american-latinos-sundance-film-festival-2017/">American Latinos Don&#8217;t Make it to Sundance Often, But These Filmmakers Hustled Hard</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
]]></description>
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																		<media:title>&#8220;Dolores&#8221; Premiere &#8211; 2017 Sundance Film Festival</media:title>
																												<media:text>Benjamin Bratt and Director Peter Bratt attend &#039;Dolores&#039; premiere at Sundance Film Festival on January 20, 2017 in Park City, Utah. Photo by Alberto E. Rodriguez/Getty Images for Sundance Film Festival</media:text>
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							<title>Are Quinceañeras Relics of the Past or Woke Celebrations of Womanhood? Latino USA Investigates</title>
							<link>https://remezcla.com/culture/latino-usa-quinceaneras/</link>
							<dc:creator><![CDATA[Yara Simón]]></dc:creator>
							<pubDate>Fri, 16 Sep 2016 21:30:41 +0000</pubDate>
									<category><![CDATA[Culture]]></category>
		<category><![CDATA[Latino USA]]></category>
		<category><![CDATA[quinceañera]]></category>
		<category><![CDATA[quinceañeras]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?p=194518</guid>
															<description><![CDATA[<p>For something as culturally specific to the Latino population as quinceañeras, these coming-of-age celebrations&#160;have certainly entered into the public consciousness and captivated even non-Latinos. It&#8217;s why someone like Mike Chesworth of Phoenix, Arizona threw his 15-year-old poodle a quinceañera last year. And why French photographer Delphine Blast spent some time in the suburbs of south</p>
<p>The post <a href="https://remezcla.com/culture/latino-usa-quinceaneras/">Are Quinceañeras Relics of the Past or Woke Celebrations of Womanhood? Latino USA Investigates</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
]]></description>
														
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							<title>Introducing Weed Week, in Partnership With Latino USA</title>
							<link>https://remezcla.com/culture/announcing-weed-week-in-partnership-with-latino-usa/</link>
							<dc:creator><![CDATA[Andrea Gompf]]></dc:creator>
							<pubDate>Mon, 11 Apr 2016 21:15:03 +0000</pubDate>
									<category><![CDATA[Culture]]></category>
		<category><![CDATA[Latino USA]]></category>
		<category><![CDATA[Weed Week]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?p=175461</guid>
															<description><![CDATA[<p>This year, Tax Day and everyone&#8217;s favorite stoner holiday, 4/20, will fall just two days apart on the calendar –&#160;a coincidence that is sure to see plenty of people engulfing their IRS sorrows (or celebrating their fat refunds) in a cloud of weed smoke. Their closeness on the calendar is&#160;fitting for more reasons than one</p>
<p>The post <a href="https://remezcla.com/culture/announcing-weed-week-in-partnership-with-latino-usa/">Introducing Weed Week, in Partnership With Latino USA</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
]]></description>
														
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							<title>The Classic &#8216;Dracula&#8217; Has a Forgotten Version in Spanish That&#8217;s Way Better Than the Original</title>
							<link>https://remezcla.com/film/the-classic-dracula-has-a-forgotten-version-in-spanish-thats-way-better-than-the-original/</link>
							<dc:creator><![CDATA[Andrew S. Vargas]]></dc:creator>
							<pubDate>Thu, 29 Oct 2015 21:47:00 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[dracula]]></category>
		<category><![CDATA[Enrique Tovar Ávalos]]></category>
		<category><![CDATA[George Medford]]></category>
		<category><![CDATA[horror]]></category>
		<category><![CDATA[Latino USA]]></category>
		<category><![CDATA[throwback thursday]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?p=152781</guid>
															<description><![CDATA[<p>During the filming of 'Dracula' in 1931, a night shift of actors and crew made an exact shot-for-shot version in Spanish while everyone else slept.</p>
<p>The post <a href="https://remezcla.com/film/the-classic-dracula-has-a-forgotten-version-in-spanish-thats-way-better-than-the-original/">The Classic &#8216;Dracula&#8217; Has a Forgotten Version in Spanish That&#8217;s Way Better Than the Original</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
]]></description>
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																		<media:title>&#8216;Dracula&#8217; starring Lupita Tovar</media:title>
																												<media:text>&#039;Drácula&#039; starring Lupita Tovar and Carlos Villarías. Courtesy of Universal Pictures</media:text>
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							<title>How Did the Latinization of Baseball Happen?</title>
							<link>https://remezcla.com/sports/how-did-the-latinization-of-baseball-happen/</link>
							<dc:creator><![CDATA[Andrew S. Vargas]]></dc:creator>
							<pubDate>Mon, 13 Jul 2015 17:29:34 +0000</pubDate>
									<category><![CDATA[Sports]]></category>
		<category><![CDATA[baseball]]></category>
		<category><![CDATA[Latino USA]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?p=133523</guid>
															<description><![CDATA[<p>Is Latino presence in the MLB a reflection of the demographic transformations currently taking place in the United States? You could say so, but if that’s the case the MLB is way ahead of the curve. Just look at the data: 30% of MLB players identify as Latino, and the starting rosters for both leagues</p>
<p>The post <a href="https://remezcla.com/sports/how-did-the-latinization-of-baseball-happen/">How Did the Latinization of Baseball Happen?</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
]]></description>
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