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							<title>REVIEW: In Sundrenched Uruguayan Drama &#8216;The Sharks,&#8217; a Teen Girl Navigates Romantic Disappointment</title>
							<link>https://remezcla.com/features/film/the-sharks-sundance-review/</link>
							<dc:creator><![CDATA[Carlos Aguilar]]></dc:creator>
							<pubDate>Wed, 06 Feb 2019 18:58:11 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[Los Tiburones]]></category>
		<category><![CDATA[Lucia Garibaldi]]></category>
		<category><![CDATA[movie review]]></category>
		<category><![CDATA[sundance film festival]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?post_type=re_features&#038;p=256399</guid>
															<description><![CDATA[<p>Universally, the mere sighting of a shark fin near a shore immediately signals a menacing presence. Instinctive fright would make most swim away in panic – a reaction for which Spielberg’s 1970s blockbuster Jaws is partly to blame. Unlike the growling of dogs that loudly announces the animals’ discomfort and propensity for aggression, the marine</p>
<p>The post <a href="https://remezcla.com/features/film/the-sharks-sundance-review/">REVIEW: In Sundrenched Uruguayan Drama &#8216;The Sharks,&#8217; a Teen Girl Navigates Romantic Disappointment</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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																		<media:title>The Sharks &#8211; Still 3</media:title>
																												<media:text>Romina Bentancur appears in &lt;i&gt;The Sharks&lt;/i&gt; by Lucía Garibaldi, an official selection at the 2019 Sundance Film Festival.  Photo by German Nocella. Courtesy of Sundance Institute</media:text>
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