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							<title>Documentary for Cuban Protest Anthem “Patria y Vida” Premiering at Film Festival</title>
							<link>https://remezcla.com/music/documentary-for-cuban-protest-anthem-patria-y-vida-premiering-at-film-festival/</link>
							<dc:creator><![CDATA[Lucas Villa]]></dc:creator>
							<pubDate>Wed, 08 Feb 2023 17:02:24 +0000</pubDate>
									<category><![CDATA[Music]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Miami Film Festival]]></category>
		<category><![CDATA[Miami Film Festival 2023]]></category>
		<category><![CDATA[Patria y Vida: The Power of Music]]></category>
							<guid isPermaLink="false">https://remezcla.com/?p=341267</guid>
															<description><![CDATA[<p>The story behind a Latin Grammy-winning Cuban protest anthem is hitting the big screen. The documentary Patria y Vida: The Power of Music will premiere at the Miami Film Festival next month.&#160; The song &#8220;Patria y Vida&#8221; was released in Feb. 2021 by Cuban acts Yotuel, Gente de Zona, Decemer Bueno, Maykel Osorbo, and El</p>
<p>The post <a href="https://remezcla.com/music/documentary-for-cuban-protest-anthem-patria-y-vida-premiering-at-film-festival/">Documentary for Cuban Protest Anthem “Patria y Vida” Premiering at Film Festival</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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																		<media:title>The 22nd Annual Latin GRAMMY Awards &#8211; Show_Patria y Vida</media:title>
																												<media:text>LAS VEGAS, NEVADA - NOVEMBER 18: (L-R) Yotuel accepts the award for Song of the Year for &#039;Patria y Vida&#039; along with Alexander Delgado, El Funky, Descemer Bueno, Randy Malcom and Beatriz Luengo onstage during The 22nd Annual Latin GRAMMY Awards at MGM Grand Garden Arena on November 18, 2021 in Las Vegas, Nevada. (Photo by Kevin Winter/Getty Images for The Latin Recording Academy)</media:text>
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							<title>Oscar Winner Juan José Campanella Looks Back On Harvey Weinstein&#8217;s Botched U.S. Release of &#8216;Metegol&#8217;</title>
							<link>https://remezcla.com/features/film/campanella-weinstein-metegol/</link>
							<dc:creator><![CDATA[Carlos Aguilar]]></dc:creator>
							<pubDate>Wed, 01 Apr 2020 16:05:40 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[El cuento de las comadrejas]]></category>
		<category><![CDATA[el secreto de sus ojos]]></category>
		<category><![CDATA[harvey weinstein]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[Juan Jose Campanella]]></category>
		<category><![CDATA[Metegol]]></category>
		<category><![CDATA[Miami Film Festival]]></category>
		<category><![CDATA[Miami Film Festival 2020]]></category>
		<category><![CDATA[The Weasels' Tale]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?post_type=re_features&#038;p=278186</guid>
															<description><![CDATA[<p>Nostalgia for movies “como las de antes” plagued the mind of Argentine director Juan José Campanella for the last 20 years. That’s how long it took him to develop his latest retro feature El cuento de las comadrejas (The Weasels&#8217; Tale). In both content and form, the movie pays homage to Ernst Lubitsch and Billy</p>
<p>The post <a href="https://remezcla.com/features/film/campanella-weinstein-metegol/">Oscar Winner Juan José Campanella Looks Back On Harvey Weinstein&#8217;s Botched U.S. Release of &#8216;Metegol&#8217;</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
]]></description>
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																		<media:title>Campanella Metegol Weinstein</media:title>
																												<media:text>Juan Jose Campanella in conversation with Nicolas Calzada. Courtesy of the Miami Film Festival.</media:text>
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							<title>This 24 Year Old Honduran Director Made a Soccer Film Inspired By Barristas &#038; The 2013 Aztecazo</title>
							<link>https://remezcla.com/features/film/miami-film-festival-interview-90-minutes/</link>
							<dc:creator><![CDATA[Carlos Aguilar]]></dc:creator>
							<pubDate>Wed, 18 Mar 2020 15:13:15 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[90 Minutes]]></category>
		<category><![CDATA[Aeden O'Connor Agurcia]]></category>
		<category><![CDATA[Brandon Lopez]]></category>
		<category><![CDATA[Daniel Frañó]]></category>
		<category><![CDATA[futbol]]></category>
		<category><![CDATA[Honduras]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[Miami Film Festival]]></category>
		<category><![CDATA[Miami Film Festival 2020]]></category>
		<category><![CDATA[soccer]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?post_type=re_features&#038;p=277596</guid>
															<description><![CDATA[<p>Four distinct segments, bridged though soccer and addressing relevant social issues, comprise 90 Minutos (90 Minutes). The Honduran debut feature from young director Aeden O&#8217;Connor Agurcia and writer Daniel Frañó — both Tegucigalpa natives — takes its name and running time from the duration of a soccer match. “Honduran audiences haven’t seen a story like</p>
<p>The post <a href="https://remezcla.com/features/film/miami-film-festival-interview-90-minutes/">This 24 Year Old Honduran Director Made a Soccer Film Inspired By Barristas &#038; The 2013 Aztecazo</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
]]></description>
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																		<media:title>Angel1</media:title>
																												<media:text>Brandon López in &#039;90 Minutes.&#039; Courtesy of Pulsar Cine.</media:text>
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							<title>From Reggaetón Musicals to a La Llorona Horror: 16 Must-See Latino Movies Playing Miami Film Festival</title>
							<link>https://remezcla.com/lists/film/latino-movies-miami-film-festival-2020/</link>
							<dc:creator><![CDATA[Manuel Betancourt]]></dc:creator>
							<pubDate>Thu, 20 Feb 2020 17:43:30 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[Boys State]]></category>
		<category><![CDATA[Ema]]></category>
		<category><![CDATA[La Lllorona]]></category>
		<category><![CDATA[las buenas intenciones]]></category>
		<category><![CDATA[Lina de Lima]]></category>
		<category><![CDATA[mano de obra]]></category>
		<category><![CDATA[Miami Film Festival]]></category>
		<category><![CDATA[Mucho Mucho Amor]]></category>
		<category><![CDATA[nuestras madres]]></category>
		<category><![CDATA[Tu me manques]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?post_type=re_guides&#038;p=276692</guid>
															<description><![CDATA[<p>There were already plenty of reasons for us take notice of this year&#8217;s Miami Film Festival but the fact that its closing film will be the Walter Mercado&#160;documentary&#160;Mucho Mucho Amor&#160;truly sealed the deal. A homecoming of sorts for the film about the famed Puerto Rican astrologer (much of the movie is centered on a Miami</p>
<p>The post <a href="https://remezcla.com/lists/film/latino-movies-miami-film-festival-2020/">From Reggaetón Musicals to a La Llorona Horror: 16 Must-See Latino Movies Playing Miami Film Festival</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
]]></description>
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																		<media:title>La Llorona 01</media:title>
																												<media:text>Courtesy of TIFF</media:text>
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							<title>In This Documentary, DJ EFN Explores Colombia Through the Lens of Its Hip Hop Communities</title>
							<link>https://remezcla.com/lists/film/coming-home-colombia-5-things-we-learned-miami-film-fest/</link>
							<dc:creator><![CDATA[Manuel Betancourt]]></dc:creator>
							<pubDate>Fri, 22 Mar 2019 21:49:27 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[hip hop]]></category>
		<category><![CDATA[Miami Film Festival]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?post_type=re_guides&#038;p=258110</guid>
															<description><![CDATA[<p>When Cuban-American DJ EFN first decided to look into his roots, the result was Coming Home. That 2012 documentary followed him as he visited Cuba and explored the island&#8217;s hip hop scene. Realizing the potential that kind of intervention can have in showcasing the impact and influence of hip hop around the world, he&#8217;s since</p>
<p>The post <a href="https://remezcla.com/lists/film/coming-home-colombia-5-things-we-learned-miami-film-fest/">In This Documentary, DJ EFN Explores Colombia Through the Lens of Its Hip Hop Communities</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
]]></description>
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																		<media:title>Coming-Home-Colombia</media:title>
																												<media:text>Courtesy of Miami Film Festival</media:text>
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							<title>Rudy Riverón Sánchez on Making Cuba&#8217;s First Psychological Horror Film</title>
							<link>https://remezcla.com/film/miami-film-fest-is-that-you-qa/</link>
							<dc:creator><![CDATA[Manuel Betancourt]]></dc:creator>
							<pubDate>Thu, 21 Mar 2019 22:03:45 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[Miami Film Festival]]></category>
		<category><![CDATA[Rudy Riverón Sánchez]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?p=258021</guid>
															<description><![CDATA[<p>The Cuban film Eres tu papá? (Is That You?) is billed as “the first psychological horror film” made on the island. It is directed by Rudy Riverón Sánchez, who grew up in rural Cuba and now lives in the United Kingdom. His take on a terrifyingly dysfunctional family living in the barren outskirts of Havana</p>
<p>The post <a href="https://remezcla.com/film/miami-film-fest-is-that-you-qa/">Rudy Riverón Sánchez on Making Cuba&#8217;s First Psychological Horror Film</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
]]></description>
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																		<media:title>Is-that-you-still</media:title>
																												<media:text>Courtesy of Miami Film Festival</media:text>
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							<title>REVIEW: In &#8216;Temblores,&#8217; a Gay Guatemalan Man is Pressured to Undergo Conversion Therapy</title>
							<link>https://remezcla.com/features/film/review-jayro-bustamante-tremors/</link>
							<dc:creator><![CDATA[Manuel Betancourt]]></dc:creator>
							<pubDate>Wed, 20 Mar 2019 18:28:05 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[Jayro Bustamante]]></category>
		<category><![CDATA[LGBTQ]]></category>
		<category><![CDATA[Miami Film Festival]]></category>
		<category><![CDATA[movie review]]></category>
		<category><![CDATA[Temblores]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?post_type=re_features&#038;p=257957</guid>
															<description><![CDATA[<p>Introducing his film&#160;Temblores (Tremors) at the Miami Film Festival, Guatemalan director Jayro Bustamante (Ixcanul) noted that its story may seem dated to an audience unfamiliar with queer issues in Guatemala. But, as he recently had to reaffirm, the kind of the gay conversion narrative he&#8217;s telling is taking place today. And, more troublingly, it&#8217;ll still</p>
<p>The post <a href="https://remezcla.com/features/film/review-jayro-bustamante-tremors/">REVIEW: In &#8216;Temblores,&#8217; a Gay Guatemalan Man is Pressured to Undergo Conversion Therapy</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
]]></description>
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																		<media:title>Tremors-Still</media:title>
																												<media:text>Courtesy of the Miami Film Festival</media:text>
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							<title>&#8216;Following You&#8217; Is a Teen Drama That Explores the Gritty Reality of Public High Schoolers in Venezuela</title>
							<link>https://remezcla.com/film/following-you-venezuela-movie-miami-film-fest/</link>
							<dc:creator><![CDATA[Manuel Betancourt]]></dc:creator>
							<pubDate>Mon, 18 Mar 2019 16:16:49 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[Carmen La Roche]]></category>
		<category><![CDATA[Following You]]></category>
		<category><![CDATA[Miami Film Festival]]></category>
		<category><![CDATA[Voy por Ti]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?p=257933</guid>
															<description><![CDATA[<p>At the heart of Carmen La Roche&#8216;s&#160;Voy por Ti (Following You) is a knotted tangle of 21st century teenage angst. There&#8217;s sexting and cyber bullying. There&#8217;s slut-shaming and revenge porn. There&#8217;s failed romance and heartbreak. There are dangerous dares and uncomfortable truths. To pun on its title, the Caracas-set film follows Marcos (Gregory Maldonado), a</p>
<p>The post <a href="https://remezcla.com/film/following-you-venezuela-movie-miami-film-fest/">&#8216;Following You&#8217; Is a Teen Drama That Explores the Gritty Reality of Public High Schoolers in Venezuela</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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																		<media:title>Following-you-Still</media:title>
																												<media:text>Courtesy of Miami Film Festival</media:text>
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							<title>Starring a Latino Cast, Indie Drama &#8216;Vandal&#8217; Is a Look at the Miami You Rarely See in Movies</title>
							<link>https://remezcla.com/film/vandal-miami-film-festival/</link>
							<dc:creator><![CDATA[Manuel Betancourt]]></dc:creator>
							<pubDate>Fri, 15 Mar 2019 21:55:42 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[Jose Daniel Freixas]]></category>
		<category><![CDATA[Miami Film Festival]]></category>
		<category><![CDATA[Vandal]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?p=257975</guid>
															<description><![CDATA[<p>Clear blue skies. Sweeping palm trees. Sandy beaches. Expensive cars cruising down the freeways. The image many of us conjure up of Miami owes much to the way it’s often depicted on screen. Movies like Miami Vice, Bad Boys and Pain &#38; Gain dream up a very specific idea of the sunny Florida city. The</p>
<p>The post <a href="https://remezcla.com/film/vandal-miami-film-festival/">Starring a Latino Cast, Indie Drama &#8216;Vandal&#8217; Is a Look at the Miami You Rarely See in Movies</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
]]></description>
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																		<media:title>vandal miff 15</media:title>
																												<media:text>Courtesy of Miami Film Festival</media:text>
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							<title>After 40 Years in the Business, Puerto Rican Actor Luis Guzmán Wants His Own Biopic</title>
							<link>https://remezcla.com/features/film/luis-guzman-miami-film-festival-2019/</link>
							<dc:creator><![CDATA[Manuel Betancourt]]></dc:creator>
							<pubDate>Wed, 13 Mar 2019 21:52:35 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[Luis Guzman]]></category>
		<category><![CDATA[Maria Corina Ramirez]]></category>
		<category><![CDATA[Miami Film Festival]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?post_type=re_features&#038;p=258025</guid>
															<description><![CDATA[<p>Once during an audition, a casting director asked&#160;Luis Guzmán something Latino actors hear a lot: “Can you sound a little more Latin?” Sharing the anecdote during a conversation at the Miami Film Festival, the Traffic and Carlito’s Way actor relished the punchline to come. He asked the casting director to give him an example of</p>
<p>The post <a href="https://remezcla.com/features/film/luis-guzman-miami-film-festival-2019/">After 40 Years in the Business, Puerto Rican Actor Luis Guzmán Wants His Own Biopic</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
]]></description>
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																		<media:title>A talk with Luis Guzman 05</media:title>
																												<media:text>Courtesy of Miami Film Festival</media:text>
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