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							<title>REVIEW: Olivier Assayas&#8217; &#8216;Wasp Network&#8217; Is a Movie About Cubans Starring Almost No Cubans</title>
							<link>https://remezcla.com/features/film/wasp-network-review-olivier-assayas/</link>
							<dc:creator><![CDATA[Monica Castillo]]></dc:creator>
							<pubDate>Tue, 15 Oct 2019 18:27:16 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[edgar ramirez]]></category>
		<category><![CDATA[Gael García Bernal]]></category>
		<category><![CDATA[movie review]]></category>
		<category><![CDATA[new york film festival]]></category>
		<category><![CDATA[Penelope Cruz]]></category>
		<category><![CDATA[wagner moura]]></category>
		<category><![CDATA[Wasp Network]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?post_type=re_features&#038;p=269360</guid>
															<description><![CDATA[<p>&#8220;Oye, did you see the Cuban movie in Toronto?&#8221; My Cuban grandmother doesn&#8217;t usually talk to me about movies, so I know when she asked me about one, it must be important. I told her yes, that I had seen&#160;Agosto&#160;and thought it was a sweet coming-of-age drama set during the Special Period. &#8220;Not that one,</p>
<p>The post <a href="https://remezcla.com/features/film/wasp-network-review-olivier-assayas/">REVIEW: Olivier Assayas&#8217; &#8216;Wasp Network&#8217; Is a Movie About Cubans Starring Almost No Cubans</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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																		<media:title>Wasp Network Still 01</media:title>
																												<media:text>Courtesy of TIFF</media:text>
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							<title>How the Line Between Autobiography and Fiction Is Blurred in Pedro Almodóvar&#8217;s &#8216;Dolor y Gloria&#8217;</title>
							<link>https://remezcla.com/features/film/how-the-line-between-autobiography-and-fiction-is-blurred-in-almodovars-dolor-y-gloria/</link>
							<dc:creator><![CDATA[Monica Castillo]]></dc:creator>
							<pubDate>Mon, 07 Oct 2019 22:12:52 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[antonio banderas]]></category>
		<category><![CDATA[Dolor y Gloria]]></category>
		<category><![CDATA[new york film festival]]></category>
		<category><![CDATA[Pedro Almodovar]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?post_type=re_features&#038;p=268663</guid>
															<description><![CDATA[<p>The Spanish master of cinema Pedro Almodóvar is once again gracing New York Film Festival screens with a new movie, Dolor y gloria, after much-lauded appearances at Cannes, Telluride and Toronto International Film Festival. The movie finds the director at what seems to be his most candid and emotionally raw work. Antonio Banderas – in</p>
<p>The post <a href="https://remezcla.com/features/film/how-the-line-between-autobiography-and-fiction-is-blurred-in-almodovars-dolor-y-gloria/">How the Line Between Autobiography and Fiction Is Blurred in Pedro Almodóvar&#8217;s &#8216;Dolor y Gloria&#8217;</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
]]></description>
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																		<media:title>&#8220;Women On The Verge Of A Nervous Breakdown&#8221; Opening Night &#8211; Arrivals</media:title>
																												<media:text>Spanish film director, screenwriter and producer Pedro Amodovar attends &quot;Women On The Verge Of A Nervous Breakdown&quot; Opening Night at Belasco Theatre on November 4, 2010 in New York City. Photo by Neilson Barnard/Getty Images</media:text>
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							<title>These Are the Latino &#038; Latin American Movies Playing New York Film Festival</title>
							<link>https://remezcla.com/lists/film/latino-movies-new-york-film-festival-2019/</link>
							<dc:creator><![CDATA[Manuel Betancourt]]></dc:creator>
							<pubDate>Tue, 24 Sep 2019 20:33:30 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[new york film festival]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?post_type=re_guides&#038;p=267857</guid>
															<description><![CDATA[<p>“The festival is critical to bringing awareness to cinema from around the world.” That&#8217;s director Martin Scorsese talking about the New York Film Festival, whose 57th edition will be premiering his latest feature&#160;The Irishman.&#160;Joining him are a number of thrilling global titles. The Big Apple fest can always be counted on to have one or</p>
<p>The post <a href="https://remezcla.com/lists/film/latino-movies-new-york-film-festival-2019/">These Are the Latino &#038; Latin American Movies Playing New York Film Festival</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
]]></description>
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																		<media:title>Bacurau Still TIFF</media:title>
																												<media:text>Courtesy of TIFF</media:text>
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							<title>Actresses Yalitza Aparicio and Marina de Tavira on Embodying Alfonso Cuarón&#8217;s Memories in &#8216;Roma&#8217;</title>
							<link>https://remezcla.com/features/film/roma-yalitza-marina-nyff-interviews/</link>
							<dc:creator><![CDATA[Manuel Betancourt]]></dc:creator>
							<pubDate>Wed, 07 Nov 2018 18:20:01 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[alfonso cuaron]]></category>
		<category><![CDATA[Marina de Tavira]]></category>
		<category><![CDATA[netflix]]></category>
		<category><![CDATA[new york film festival]]></category>
		<category><![CDATA[roma]]></category>
		<category><![CDATA[Yalitza Aparicio]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?post_type=re_features&#038;p=251077</guid>
															<description><![CDATA[<p>Alfonso Cuarón’s Roma&#160;is a gift to Mexico. That’s how actress Marina de Tavira put it when we sat down to talk about the black-and-white movie that had just screened as part of the New York Film Festival. “This is Alfonso&#8217;s gift to Mexico. Loving his country and giving a voice, light, and a look at</p>
<p>The post <a href="https://remezcla.com/features/film/roma-yalitza-marina-nyff-interviews/">Actresses Yalitza Aparicio and Marina de Tavira on Embodying Alfonso Cuarón&#8217;s Memories in &#8216;Roma&#8217;</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
]]></description>
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																		<media:title>Roma-1-1600&#215;900-c-default</media:title>
																												<media:text>&#039;Roma&#039; still courtesy of New York Film Festival</media:text>
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							<title>This Queer Soccer Sci-Fi Comedy Is the Most Wonderfully Bizarre Movie You&#8217;ve Ever Seen</title>
							<link>https://remezcla.com/lists/film/diamantino-nyff/</link>
							<dc:creator><![CDATA[Manuel Betancourt]]></dc:creator>
							<pubDate>Tue, 16 Oct 2018 19:36:14 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[Daniel Schmidt]]></category>
		<category><![CDATA[Diamantino]]></category>
		<category><![CDATA[Gabriel Abrantes]]></category>
		<category><![CDATA[new york film festival]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?post_type=re_guides&#038;p=250080</guid>
															<description><![CDATA[<p>Soccer players are modern-day demigods. They&#8217;re loved and revered all around the world. The opening images of&#160;Diamantino&#160;remind us that contemporary stadiums are all but 21st-century cathedrals, housing some of the most sublime art around. That&#8217;s how we meet the titular character, a Cristiano Ronaldo-like player who&#8217;s the best in all the world and who fronts</p>
<p>The post <a href="https://remezcla.com/lists/film/diamantino-nyff/">This Queer Soccer Sci-Fi Comedy Is the Most Wonderfully Bizarre Movie You&#8217;ve Ever Seen</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
]]></description>
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																		<media:title>Diamantino 01</media:title>
																												<media:text>Courtesy of Kino Lorber</media:text>
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							<title>&#8216;If Beale Street Could Talk&#8217; Reveals How POC Are at the Mercy of a Corrupt Justice System</title>
							<link>https://remezcla.com/features/film/if-beale-street-could-talk-review/</link>
							<dc:creator><![CDATA[Manuel Betancourt]]></dc:creator>
							<pubDate>Thu, 11 Oct 2018 22:13:29 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[Barry Jenkins]]></category>
		<category><![CDATA[Emily Rios]]></category>
		<category><![CDATA[If Beale Street Could Talk]]></category>
		<category><![CDATA[new york film festival]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?post_type=re_features&#038;p=250118</guid>
															<description><![CDATA[<p>At the heart of If Beale Street Could Talk is an accusation of sexual assault. Victoria Rogers (Emily Rios) has identified Alonzo “Fonny” Hunt (Stephan James) as her attacker and quickly turns his life on its head. Gone is his bright future with the love of his life, the young Tish (KiKi Layne), and his</p>
<p>The post <a href="https://remezcla.com/features/film/if-beale-street-could-talk-review/">&#8216;If Beale Street Could Talk&#8217; Reveals How POC Are at the Mercy of a Corrupt Justice System</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
]]></description>
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																		<media:title>ifbealestreetcouldtalk_01</media:title>
																												<media:text>&#039;If Beale Street Could Talk&#039; courtesy of TIFF</media:text>
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							<title>Alfonso Cuarón On Painstakingly Recreating His Childhood Memories for the Deeply Personal &#8216;Roma&#8217;</title>
							<link>https://remezcla.com/features/film/alfonso-cuaron-guillermo-del-toro-roma-nyff/</link>
							<dc:creator><![CDATA[Monica Castillo]]></dc:creator>
							<pubDate>Mon, 08 Oct 2018 19:01:05 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[alfonso cuaron]]></category>
		<category><![CDATA[guillermo del toro]]></category>
		<category><![CDATA[netflix]]></category>
		<category><![CDATA[new york film festival]]></category>
		<category><![CDATA[roma]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?post_type=re_features&#038;p=250347</guid>
															<description><![CDATA[<p>Continuing to dazzle audiences on its festival tour, Alfonso Cuarón&#8216;s Roma&#160;is making fans even out of the director&#8217;s closest friends. Guillermo del Toro, one of the Three Amigos group of Mexican directors that includes Cuarón and&#160;Alejandro González Iñárritu, was on hand at the New York Film Festival on Saturday to introduce&#160;Cuarón&#8217;s deeply personal film about</p>
<p>The post <a href="https://remezcla.com/features/film/alfonso-cuaron-guillermo-del-toro-roma-nyff/">Alfonso Cuarón On Painstakingly Recreating His Childhood Memories for the Deeply Personal &#8216;Roma&#8217;</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
]]></description>
																						<media:content
									url="https://remezcla.com/wp-content/uploads/sites/3/2018/10/Roma-1-1600x900-c-default.jpg"
									type="image/jpeg"
																		width="1024"
																											height="576"
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																		<media:title>Roma-1-1600&#215;900-c-default</media:title>
																												<media:text>&#039;Roma&#039; still courtesy of New York Film Festival</media:text>
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							<title>From Alfonso Cuarón to María Félix: Latin American Movies Playing at New York Film Festival</title>
							<link>https://remezcla.com/lists/film/latin-american-movies-new-york-film-festival-2018/</link>
							<dc:creator><![CDATA[Manuel Betancourt]]></dc:creator>
							<pubDate>Thu, 20 Sep 2018 19:39:47 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[If Beale Street Could Talk]]></category>
		<category><![CDATA[Maria Felix]]></category>
		<category><![CDATA[new york film festival]]></category>
		<category><![CDATA[roma]]></category>
		<category><![CDATA[Tarde para morir joven]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?post_type=re_guides&#038;p=248285</guid>
															<description><![CDATA[<p>In a city that is not wanting for film festivals, the New York Film Festival stands out by being a cinephile&#8217;s dream. Often boasting award-winning titles from Cannes, Venice, and Toronto, its 30-film main slate is the kind that makes you want to spend endless days cooped up in an Upper West Side movie theater.</p>
<p>The post <a href="https://remezcla.com/lists/film/latin-american-movies-new-york-film-festival-2018/">From Alfonso Cuarón to María Félix: Latin American Movies Playing at New York Film Festival</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
]]></description>
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									url="https://remezcla.com/wp-content/uploads/sites/3/2018/08/Roma-still-01.jpg"
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																		<media:title>Roma still 01</media:title>
																												<media:text>&#039;Roma&#039; courtesy of TIFF</media:text>
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							<title>Alfonso Cuaron&#8217;s Highly Anticipated Mexico-Set Movie &#8216;Roma&#8217; Heads to New York</title>
							<link>https://remezcla.com/film/alfonso-cuaron-roma-centerpiece-nyff-new-york/</link>
							<dc:creator><![CDATA[Manuel Betancourt]]></dc:creator>
							<pubDate>Wed, 18 Jul 2018 20:23:20 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[alfonso cuaron]]></category>
		<category><![CDATA[new york film festival]]></category>
		<category><![CDATA[roma]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?p=244558</guid>
															<description><![CDATA[<p>The wait&#8217;s been long. It&#8217;s been five years since Alfonso Cuarón&#8217;s last movie (Oscar winner Gravity) and seventeen since his last project set in Mexico (the OG Gael-Diego classic Y tu mamá también). But finally we&#8217;re getting his long-awaited new film. And while there was talk a few months back that&#160;Roma&#160;could premiere at the Cannes</p>
<p>The post <a href="https://remezcla.com/film/alfonso-cuaron-roma-centerpiece-nyff-new-york/">Alfonso Cuaron&#8217;s Highly Anticipated Mexico-Set Movie &#8216;Roma&#8217; Heads to New York</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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																		<media:title>Roma_Cuaron_2016-2017_06587-Edit</media:title>
																												<media:text>&#039;Roma&#039; photo by Carlos Somonte. Courtesy of Netflix</media:text>
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							<title>Ramon Pesante&#8217;s Heart-Pounding Thriller About Trolling a Troll Was Shot on a Cellphone</title>
							<link>https://remezcla.com/features/film/ramon-pesante-short-film-lmfao-shot-cellphone/</link>
							<dc:creator><![CDATA[Kiko Martinez]]></dc:creator>
							<pubDate>Wed, 01 Nov 2017 20:50:54 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[LMFAO]]></category>
		<category><![CDATA[new york film festival]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?post_type=re_features&#038;p=230221</guid>
															<description><![CDATA[<p>If you’re someone who&#8217;s been on the internet most of their life, chances are you’ve been a victim of trolling – the posting of offensive and personal attacks online created with the sole intention of eliciting an emotional response from the target of the message. It’s an issue Puerto Rican filmmaker Ramon Pesante thought was</p>
<p>The post <a href="https://remezcla.com/features/film/ramon-pesante-short-film-lmfao-shot-cellphone/">Ramon Pesante&#8217;s Heart-Pounding Thriller About Trolling a Troll Was Shot on a Cellphone</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
]]></description>
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																		<media:title>LMFAO Screen Shot 2017-10-20 at 3.55.48 PM</media:title>
																												<media:text>&#039;LMFAO&#039; still courtesy of Ramon Pesante</media:text>
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