Felipe Bragança’s Brazilian-Paraguayan Film ‘Não Devore Meu Coração’ Is a Gorgeous Political Allegory 02.06.17
Major Lazer & The Rolling Stones’ Concert Films Document the End of Music Censorship in Cuba 02.03.17
José María Cabral’s ‘Carpinteros,’ the First Dominican Film to Premiere at Sundance, Looks at Love Behind Bars 02.02.17
Meet Jessica Beshir, the Mexican-Ethiopian Director Behind the Most Poetic Short Film at Sundance 02.01.17
Ernesto Contreras On Creating an Indigenous Language for Sundance Winner ‘Sueño en Otro Idioma’ by Carlos Aguilar 01.31.17
Chilean Short Film ‘And the Whole Sky’ is Poetic Ghost Story With a Magical Realist Touch by Manuel Betancourt 01.27.17
Angel Soto’s VR Doc ‘Bashir’s Dream’ Tells the Story of a Syrian Teen Who Survived a Sniper Shooting by Manuel Betancourt 01.27.17
Salma Hayek on Why ‘Beatriz at Dinner’ Is the Perfect Drama For Today’s Political Landscape by Manuel Betancourt 01.26.17
How the “Dominican Snow White” Went From Hilarious Meme to Star of a Doc Screening at Sundance by Manuel Betancourt 01.25.17
Civil Rights Activist Dolores Huerta Finally Gets Her Due in Sundance Doc ‘Dolores’ by Manuel Betancourt 01.23.17
Miami’s Lucas Leyva & Jillian Mayers on Why They Made an Absurdist, Existential Short in Japanese 01.23.17
‘The Diver’ Doc Profiles an Unsung Hero Who’s Been Swimming Mexico’s Sewer System for Over 25 Years 01.19.17
William Caballero Made a Short About His Hilarious Boricua Abuelos & Now He’s Headed to Sundance 01.18.17
Jose Maria Cabral Takes Us Into One of DR’s Most Notorious Prisons, the Setting of His Sundance Film 01.17.17