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							<title>Miami Director Jorge &#8220;Jokes&#8221; Yanes On the Similarities Between Filmmaking and Graffiti</title>
							<link>https://remezcla.com/features/film/jokes-jorge-yanes-interview-toyed-nalip-latino-lens-2016/</link>
							<dc:creator><![CDATA[Manuel Betancourt]]></dc:creator>
							<pubDate>Sat, 29 Oct 2016 20:43:03 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[5 Questions]]></category>
		<category><![CDATA[Jorge Yanes]]></category>
		<category><![CDATA[latino lens]]></category>
		<category><![CDATA[nalip]]></category>
		<category><![CDATA[Toyed]]></category>
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															<description><![CDATA[<p>The work of Jokes (aka Jorge Yanes)&#160;feels fueled with an irrepressible 90s energy. There&#8217;s the pulsating rhythms of hip hop and the colorful power of graffiti. There&#8217;s a sleek grittiness that runs through it that makes it feel like a throwback, a nostalgia that&#8217;s as fascinated with the glittering Miami nightlife as with the darker</p>
<p>The post <a href="https://remezcla.com/features/film/jokes-jorge-yanes-interview-toyed-nalip-latino-lens-2016/">Miami Director Jorge &#8220;Jokes&#8221; Yanes On the Similarities Between Filmmaking and Graffiti</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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