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							<title>Film Festivals Like True/False Show Why Pushes For Diversity Need to Look Beyond Numbers</title>
							<link>https://remezcla.com/features/film/true-false-film-festival-2020/</link>
							<dc:creator><![CDATA[Monica Castillo]]></dc:creator>
							<pubDate>Mon, 16 Mar 2020 15:51:34 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[Boys State]]></category>
		<category><![CDATA[Brimstone & Glory]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Dope is Death]]></category>
		<category><![CDATA[Knock Down the House]]></category>
		<category><![CDATA[Mucho Mucho Amor]]></category>
		<category><![CDATA[The Edge of Democracy]]></category>
		<category><![CDATA[True false]]></category>
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															<description><![CDATA[<p>For years, I heard critics rave about the True/False Film Festival in Columbia, Missouri. Last week I finally made the pilgrimage, and the 4-day festival dedicated to the art of nonfiction was indeed as good as many had promised. The festival inspired me to think not just about the daring, boundary-pushing movies I caught in</p>
<p>The post <a href="https://remezcla.com/features/film/true-false-film-festival-2020/">Film Festivals Like True/False Show Why Pushes For Diversity Need to Look Beyond Numbers</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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																		<media:title>Boys State  Still 1</media:title>
																												<media:text>Steven Garza appears in &#039;Boys State&#039; by Jesse Moss and Amanda McBaine. Photo by Thorsten Thielow. Courtesy of Sundance Institute.</media:text>
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