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							<title>The Bronx Documentary Center Unveils Its Third Annual Latin American Foto Festival</title>
							<link>https://remezcla.com/culture/bronx-documentary-center-unveils-third-annual-latin-american-foto-festival/</link>
							<dc:creator><![CDATA[Julyssa Lopez]]></dc:creator>
							<pubDate>Thu, 23 Jul 2020 17:21:42 +0000</pubDate>
									<category><![CDATA[Culture]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[bronx]]></category>
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		<category><![CDATA[virtual galleries]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?p=282985</guid>
															<description><![CDATA[<p>The pandemic has thrown cultural events and institutions into uncertainty, but some arts organizations have been trying to keep up with their regular calendars and offerings—very, very carefully. This week, the Bronx Documentary Center is launching the third edition of its Latin American Foto Festival, an annual event that highlights work from artists across Latin</p>
<p>The post <a href="https://remezcla.com/culture/bronx-documentary-center-unveils-third-annual-latin-american-foto-festival/">The Bronx Documentary Center Unveils Its Third Annual Latin American Foto Festival</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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																		<media:title>Don&#8217;t Call Me Trigueña; I&#8217;m Black</media:title>
																												<media:text>Two young girls pose for a photo on the top of a pool, in the neigh- borhood of La Perla in the Old San Juan, Puerto Rico. November 2nd, 2019. “Growing up It was difficult for me to see myself as a young black girl because I was constantly reminded by other kids that black girls were ugly because of the color of their skin. I became extremely shy and my only escape was to to turn away and hide.” © Adriana Parrilla. Courtesy of BDC.</media:text>
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							<title>‘Where Will I Be Buried*?’ Is a Virtual Exhibit Exploring Death &#038; Grief for Queer BIPOC</title>
							<link>https://remezcla.com/culture/virtual-exhibition-where-will-i-be-buried-flux-factory-details/</link>
							<dc:creator><![CDATA[Xime Izquierdo Ugaz]]></dc:creator>
							<pubDate>Fri, 17 Jul 2020 16:57:58 +0000</pubDate>
									<category><![CDATA[Culture]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[new york city]]></category>
		<category><![CDATA[virtual galleries]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?p=282845</guid>
															<description><![CDATA[<p>Featuring work from over 12 Queer and Trans, Black, Indigenous, People of Color (QTBIPOC), where will I be buried*? opens today, July 17. The exhibition was curated by Muse Dodd and Catherine Feliz. The Flux Factory major exhibition centers marginalized communities’ mourning, healing and transformations. &#8220;For QTBIPOC communities the question of ‘where will I be</p>
<p>The post <a href="https://remezcla.com/culture/virtual-exhibition-where-will-i-be-buried-flux-factory-details/">‘Where Will I Be Buried*?’ Is a Virtual Exhibit Exploring Death &#038; Grief for Queer BIPOC</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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																												<media:text>Kean in the Garden, Felicita &quot;Felli&quot; Maynard (@photofelli), Edition 1/1, 2019, 4.5 x 3.5 inches, Tintype. Courtesy of the curators.</media:text>
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							<title>This Interactive Hologram Exhibit Adds New Dimensions to the Way We Experience Art at Home</title>
							<link>https://remezcla.com/culture/program-labs-syntax-at-home-studio-exhibitions-details/</link>
							<dc:creator><![CDATA[Michaela Vargas Caro]]></dc:creator>
							<pubDate>Mon, 06 Jul 2020 19:02:48 +0000</pubDate>
									<category><![CDATA[Culture]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[virtual galleries]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?p=282576</guid>
															<description><![CDATA[<p>In recent years, the advent of tech-based design has pushed the boundaries of art. Groundbreaking virtual reality films like &#8220;Carne y Arena&#8221; by Alejandro Gonzales Iñarritu, artistic media through projection mapping, wearable technology in fashion design and Augmented Reality (AR) have steadily permeated the art world. The merging of these fields opened the door for</p>
<p>The post <a href="https://remezcla.com/culture/program-labs-syntax-at-home-studio-exhibitions-details/">This Interactive Hologram Exhibit Adds New Dimensions to the Way We Experience Art at Home</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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																												<media:text>Teyana Taylor. Courtesy of Program Labs.</media:text>
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							<title>175 Cinematographers Come Together for a Good Cause in Extensive Virtual Gallery, ‘Keep Going’</title>
							<link>https://remezcla.com/features/culture/virtual-gallery-keep-going-world-story-and-cause/</link>
							<dc:creator><![CDATA[Ecleen Luzmila Caraballo]]></dc:creator>
							<pubDate>Thu, 21 May 2020 19:36:01 +0000</pubDate>
									<category><![CDATA[Culture]]></category>
		<category><![CDATA[cinematography]]></category>
		<category><![CDATA[virtual galleries]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?post_type=re_features&#038;p=280715</guid>
															<description><![CDATA[<p>Film production across the world came to a halt when the coronavirus was officially declared a pandemic in March. Everyone from actors and on-set photographers to the grips and electric team was affected. In April, executive producer Michael Peay and his creative partner Chelsea Franklin—founders of Reframe the World—came up with the concept of Keep</p>
<p>The post <a href="https://remezcla.com/features/culture/virtual-gallery-keep-going-world-story-and-cause/">175 Cinematographers Come Together for a Good Cause in Extensive Virtual Gallery, ‘Keep Going’</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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																												<media:text>Alexa Demie on &quot;Waves.&quot; Photo by Monica Lek. Courtesy of Keep Going.</media:text>
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