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							<title>You Can Stream These Two Latino Short Films for Free on PBS</title>
							<link>https://remezcla.com/film/stream-latino-short-films-fire-soledad-hummingbirds/</link>
							<dc:creator><![CDATA[Kristen Lopez]]></dc:creator>
							<pubDate>Fri, 03 Jan 2020 18:44:03 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[Daniel Eduvijes Carrera]]></category>
		<category><![CDATA[PBS]]></category>
		<category><![CDATA[short films]]></category>
		<category><![CDATA[The Fires of Soledad]]></category>
		<category><![CDATA[The Hummingbirds]]></category>
		<category><![CDATA[william caballero]]></category>
		<category><![CDATA[you should stream]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?p=274068</guid>
															<description><![CDATA[<p>PBS has become a haven for all manner of Latino content over the last few years. Last year they premiered the heartfelt and affecting documentary on Raúl Julia, The World&#8217;s a Stage, and have all manner of amazing short-form content available to stream on their app. Most recently they debuted two new short films on</p>
<p>The post <a href="https://remezcla.com/film/stream-latino-short-films-fire-soledad-hummingbirds/">You Can Stream These Two Latino Short Films for Free on PBS</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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																		<media:title>hummingbirds short film</media:title>
																												<media:text>Courtesy of Latino Public Broadcasting</media:text>
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							<title>From &#8216;Star Wars&#8217; to Sundance: This Podcast Uncovers How Latinos Shape the Movie Business</title>
							<link>https://remezcla.com/film/silver-screen-latino-usa/</link>
							<dc:creator><![CDATA[Vanessa Erazo]]></dc:creator>
							<pubDate>Fri, 03 Mar 2017 20:24:38 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[Antonio Santini]]></category>
		<category><![CDATA[Bernardo Ruiz]]></category>
		<category><![CDATA[diego luna]]></category>
		<category><![CDATA[dracula]]></category>
		<category><![CDATA[Latino USA]]></category>
		<category><![CDATA[Linda Yvette Chavez]]></category>
		<category><![CDATA[lupita tovar]]></category>
		<category><![CDATA[Marvin Lemus]]></category>
		<category><![CDATA[star wars rogue one]]></category>
		<category><![CDATA[william caballero]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?p=209714</guid>
															<description><![CDATA[<p>With so many options available to watch movies – Netflix, iTunes, Hulu, Blu-ray, and the somehow now old-school-seeming DVD – it&#8217;s easy to forget that there was a time when going to the cinema was a special event. You&#8217;d get dressed up, buy tickets, load up on snacks, and settle into a comfy chair in</p>
<p>The post <a href="https://remezcla.com/film/silver-screen-latino-usa/">From &#8216;Star Wars&#8217; to Sundance: This Podcast Uncovers How Latinos Shape the Movie Business</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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							<title>American Latinos Don&#8217;t Make it to Sundance Often, But These Filmmakers Hustled Hard</title>
							<link>https://remezcla.com/features/film/american-latinos-sundance-film-festival-2017/</link>
							<dc:creator><![CDATA[Vanessa Erazo]]></dc:creator>
							<pubDate>Sat, 18 Feb 2017 06:41:23 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[Antonio Santini]]></category>
		<category><![CDATA[Dolores]]></category>
		<category><![CDATA[Elaine del Valle]]></category>
		<category><![CDATA[Gente-Fied]]></category>
		<category><![CDATA[Latino USA]]></category>
		<category><![CDATA[Linda Yvette Chavez]]></category>
		<category><![CDATA[Marvin Lemus]]></category>
		<category><![CDATA[Peter Bratt]]></category>
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		<category><![CDATA[william caballero]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?post_type=re_features&#038;p=207719</guid>
															<description><![CDATA[<p>Latinos born in the United States come up against a unique set of challenges compared to directors working in Latin America who often have access to government funding for their projects. The glaring differences are evidenced in the vast disparity between the amount of Latin American movies circling the globe at Class-A festivals compared to</p>
<p>The post <a href="https://remezcla.com/features/film/american-latinos-sundance-film-festival-2017/">American Latinos Don&#8217;t Make it to Sundance Often, But These Filmmakers Hustled Hard</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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																		<media:title>&#8220;Dolores&#8221; Premiere &#8211; 2017 Sundance Film Festival</media:title>
																												<media:text>Benjamin Bratt and Director Peter Bratt attend &#039;Dolores&#039; premiere at Sundance Film Festival on January 20, 2017 in Park City, Utah. Photo by Alberto E. Rodriguez/Getty Images for Sundance Film Festival</media:text>
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							<title>William Caballero Made a Short About His Hilarious Boricua Abuelos &#038; Now He&#8217;s Headed to Sundance</title>
							<link>https://remezcla.com/features/film/interview-william-caballero-victor-isolina-sundance-film-festival-2017/</link>
							<dc:creator><![CDATA[Manuel Betancourt]]></dc:creator>
							<pubDate>Wed, 18 Jan 2017 18:15:17 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[animation]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[short films]]></category>
		<category><![CDATA[sundance film festival]]></category>
		<category><![CDATA[Victor & Isolina]]></category>
		<category><![CDATA[william caballero]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?post_type=re_features&#038;p=203989</guid>
															<description><![CDATA[<p>William D. Caballero never tires of mining his family&#8217;s history for inspiration. Mixing various animation styles and a cinema verité approach, his 2010 documentary,&#160;American Dreams Deferred&#160;told the story of his Puerto Rican family living&#160;in North Carolina. Winner of the first annual&#160;HBO-NALIP Documentary Grant, the doc was a moving testament to the&#160;constant obstacles&#160;many&#160;first and second generation</p>
<p>The post <a href="https://remezcla.com/features/film/interview-william-caballero-victor-isolina-sundance-film-festival-2017/">William Caballero Made a Short About His Hilarious Boricua Abuelos &#038; Now He&#8217;s Headed to Sundance</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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							<title>This Powerful Web Series Uses 3-D Printed Figurines to Reenact the Stories of Young DREAMers</title>
							<link>https://remezcla.com/film/univision-web-series-dreamer-generation-william-caballero/</link>
							<dc:creator><![CDATA[Andrew S. Vargas]]></dc:creator>
							<pubDate>Sat, 24 Sep 2016 00:08:19 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[dreamer generation]]></category>
		<category><![CDATA[immigration]]></category>
		<category><![CDATA[univision]]></category>
		<category><![CDATA[web series]]></category>
		<category><![CDATA[william caballero]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?p=195260</guid>
															<description><![CDATA[<p>William D. Caballero has made quite a stir since his genre-bending hybrid short film How You Doin&#8217;, Boy? Voicemails from Gran’pa became a viral sensation and landed a spinoff web series Gran’pa Knows Best on HBO’s innovative digital platform HBO NOW! That’s not to say that the 31-year-old Brooklyn-born Boricua hasn’t been on his grind</p>
<p>The post <a href="https://remezcla.com/film/univision-web-series-dreamer-generation-william-caballero/">This Powerful Web Series Uses 3-D Printed Figurines to Reenact the Stories of Young DREAMers</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
]]></description>
														
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							<title>3 Groundbreaking Mediamakers on Pushing the Boundaries of Latino Content</title>
							<link>https://remezcla.com/features/film/pbs-nalip-media-summit-2016/</link>
							<dc:creator><![CDATA[Carlos Aguilar]]></dc:creator>
							<pubDate>Fri, 01 Jul 2016 19:25:56 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[HBO Latino]]></category>
		<category><![CDATA[hector galan]]></category>
		<category><![CDATA[karla legaspy]]></category>
		<category><![CDATA[latino public broadcasting]]></category>
		<category><![CDATA[nalip]]></category>
		<category><![CDATA[PBS]]></category>
		<category><![CDATA[television]]></category>
		<category><![CDATA[william caballero]]></category>
							<guid isPermaLink="false">https://local.remezcla.com?post_type=re_features&#038;p=185968</guid>
															<description><![CDATA[<p>The NALIP Media Summit brought together William Caballero, Karla Legaspy, and Hector Galan to talk universal storytelling and the future of public television.</p>
<p>The post <a href="https://remezcla.com/features/film/pbs-nalip-media-summit-2016/">3 Groundbreaking Mediamakers on Pushing the Boundaries of Latino Content</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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