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					<title>Remezcla</title>
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							<title>REVIEW: In Pablo Larraín&#8217;s &#8216;Ema,&#8217; Gael García Bernal Hates His Wife&#8217;s Love of Reggaetón</title>
							<link>https://remezcla.com/features/film/review-ema-pablo-larrain-gael-garcia-bernal/</link>
							<dc:creator><![CDATA[Carlos Aguilar]]></dc:creator>
							<pubDate>Tue, 17 Sep 2019 21:17:38 +0000</pubDate>
									<category><![CDATA[Film]]></category>
		<category><![CDATA[Ema]]></category>
		<category><![CDATA[Gael García Bernal]]></category>
		<category><![CDATA[Mariana Di Girolamo]]></category>
		<category><![CDATA[movie review]]></category>
		<category><![CDATA[pablo larrain]]></category>
		<category><![CDATA[Toronto Film Festival]]></category>
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															<description><![CDATA[<p>Stigmatized as indecent, reggaetón vibrates at a primal frequency appealing to our intuitive rhythm, thus it perfectly coalesces with the title character in Chilean auteur Pablo Larraín’s phenomenal new feature Ema, fronted by an empowered woman under the influence of her unapologetic desires. Though the director in charge of No, Jackie, and Neruda wouldn’t instantly</p>
<p>The post <a href="https://remezcla.com/features/film/review-ema-pablo-larrain-gael-garcia-bernal/">REVIEW: In Pablo Larraín&#8217;s &#8216;Ema,&#8217; Gael García Bernal Hates His Wife&#8217;s Love of Reggaetón</a> appeared first on <a href="https://remezcla.com">Remezcla</a>.</p>
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																		<media:title>Ema still</media:title>
																												<media:text>&#039;Ema&#039; still courtesy of TIFF</media:text>
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