Carlos Aguilar

Articles By

Carlos Aguilar

Originally from Mexico City, Carlos Aguilar is an alum of the Roger Ebert Fellowship for film criticism whose work has appeared on Indiewire, Movie Maker Magazine, Americas Quarterly and Variety Latino.

Alex Rivera & Cristina Ibarra On Their Sundance Winner: It’s “Ocean’s 11 Set in a Detention Center”

02.14.19

'The Infiltrators' film still courtesy of Sundance Institute

REVIEW: ‘This Is Not Berlin’ Is an Explosive Look at How the Art World Was Fighting Homophobia in 1980s Mexico

02.12.19

Xabiani Ponce de León appears in 'This is not Berlin' by Hari Sama. Photo by Alfredo Altamirano. Courtesy of Sundance Institute

REVIEW: In Sundrenched Uruguayan Drama ‘The Sharks,’ a Teen Girl Navigates Romantic Disappointment

02.06.19

Romina Bentancur appears in The Sharks by Lucía Garibaldi, an official selection at the 2019 Sundance Film Festival. Photo by German Nocella. Courtesy of Sundance Institute

Actor Moisés Arias Shares the Grueling Training Process He Underwent to Play a FARC Guerilla in ‘Monos’

02.01.19

Photo by Jasper Wolf, courtesy of Sundance Institute Pro.

TRAILER: ‘Ana y Bruno’ Is Mexico’s First-Ever Oscar Entry for Best Animated Feature

01.18.19

This Spike-Lee Directed Video From The Killers Is a Direct Response to Trump’s Border Wall

01.16.19

Members of a immigrant caravan walk into the interior of Mexico after crossing the Guatemalan border on October 21, 2018 near Ciudad Hidalgo, Mexico. Photo by John Moore/Getty Images

Film

Cecilia Suárez & Manolo Caro on their Two Decades of Friendship and Creative Collaboration

01.10.19

'Too late to die young' courtesy of TIFF

Film

Director Dominga Sotomayor Castillo Plans to Create a Film Center in Santiago to Show More Women’s Stories

12.27.18

Film

‘The Chambermaid’s First-Time Director Says Mexico is Overflowing With Powerhouse Women Producers

12.26.18

Film

Before She Inspired ‘Roma,’ Libo Rodríguez Had Cameos in Two of Alfonso Cuarón’s Movies

12.18.18

Miles Morales (Shameik Moore) in 'Spider-Man: Into the Spider-Verse.' Courtesy of Sony Pictures Entertainment

Film

Why the Spanish Dialogue in ‘Spider-Man: Into the Spider-Verse’ Doesn’t Have Subtitles

12.11.18

Film

Latin American Movies About Domestic Workers Are Always Told From the Perspective of the Elite

12.10.18

Alex Rivera & Cristina Ibarra On Their Sundance Winner: It’s “Ocean’s 11 Set in a Detention Center”

REVIEW: ‘This Is Not Berlin’ Is an Explosive Look at How the Art World Was Fighting Homophobia in 1980s Mexico

REVIEW: In Sundrenched Uruguayan Drama ‘The Sharks,’ a Teen Girl Navigates Romantic Disappointment

Actor Moisés Arias Shares the Grueling Training Process He Underwent to Play a FARC Guerilla in ‘Monos’

TRAILER: ‘Ana y Bruno’ Is Mexico’s First-Ever Oscar Entry for Best Animated Feature

This Spike-Lee Directed Video From The Killers Is a Direct Response to Trump’s Border Wall

Cecilia Suárez & Manolo Caro on their Two Decades of Friendship and Creative Collaboration

Director Dominga Sotomayor Castillo Plans to Create a Film Center in Santiago to Show More Women’s Stories

‘The Chambermaid’s First-Time Director Says Mexico is Overflowing With Powerhouse Women Producers

Before She Inspired ‘Roma,’ Libo Rodríguez Had Cameos in Two of Alfonso Cuarón’s Movies

Why the Spanish Dialogue in ‘Spider-Man: Into the Spider-Verse’ Doesn’t Have Subtitles

Latin American Movies About Domestic Workers Are Always Told From the Perspective of the Elite

Newsletter Signup