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On ‘Primer Día de Clases,’ Mora Finds Another Wing for Mainstream Latin Music

By Diego Urdaneta 02.18.21

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37 Results

How ‘La Llorona’ Director Jayro Bustamante Used Horror Tropes to Tell Guatemala’s Civil War-Torn History

REVIEW: In ‘Agosto,’ a Cuban Teen Pursues His Crush & Cares for His Grandma During the Balsero Crisis

REVIEW: In ‘Lina de Lima,’ a Peruvian Domestic Worker Stars in Her Own Glittering Musical

REVIEW: ‘The Two Popes’ Is a Surprisingly Funny Movie About Papa Francisco’s Clash With His Predecessor

In This Heart-Wrenching Doc, We Learn Deported Vets Have Become Vulnerable Prey for Mexican Cartels

REVIEW: In Pablo Larraín’s ‘Ema,’ Gael García Bernal Hates His Wife’s Love of Reggaetón

‘Hustlers’ Review: With Impeccable Fur Coats & Sheer Magnetism, Jennifer Lopez Reigns Supreme 09.16.19

In Steven Soderbergh’s ‘The Laundromat,’ Meryl Streep Plays a Panamanian Woman & It Makes No Sense 09.16.19

Jennifer Lopez On Why Stripping to Fiona Apple’s “Criminal” Was the Perfect Choice for ‘Hustlers’ 09.14.19

REVIEW: An Unethical Money Changer’s Ambitions Outpace His Criminal Talents in ‘Así Habló el Cambista’ 09.09.19

REVIEW: ‘The Sleepwalkers’ Is a Claustrophobic Tale of a Woman Feeling Constricted Among Her Husband’s Family 09.06.19

From Gael García Bernal to Cardi B: These Are the Latino Movies Playing the Toronto Film Festival 08.29.19

Director Cristina Gallego On Making a ‘Godfather’-Style Crime Story That Honors the Wayúu 10.10.18

Anthony Ramos Never Thought He’d Get Cast as Lady Gaga’s Best Friend in ‘A Star is Born’ 10.09.18

‘El Angel’ Director Luis Ortega Talks Making a Gay ‘Bonnie and Clyde’ Based on a Real-Life Teen Serial Killer 10.01.18