REVIEW: ‘Las Buenas Intenciones’ Is Director Ana García’s Endearing Cinematic Letter to Her Dad 01.24.20
REVIEW: This Doc Is an Intimate Look at the Woman Who Created a Safe Haven for Trans Sex Workers in Rio 12.06.19
REVIEW: Chile’s Oscar Entry Is a Cautionary Tale on How the Far-Right Politics of the Past Still Affects the Present 12.05.19
REVIEW: ‘Nuestras Madres’ Is a Somber Drama on the Lasting Emotional Impact of Guatemala’s Civil War 12.04.19
REVIEW: Bolivia’s Oscar Entry Is a Poetic Look at a Father’s Complicated Grief After Losing His Gay Son 12.04.19
REVIEW: Costa Rica’s Oscar Entry Is a Sympathetic Look at a Woman Unraveling in the Face of Motherhood by Monica Castillo 12.03.19
REVIEW: Brazil’s Oscar Entry Is an Intoxicating Drama About an Unbreakable Sisterly Bond & Soul-Crushing Patriarchy by Carlos Aguilar 12.03.19
REVIEW: Argentina’s Oscar Entry ‘La Odisea de los Giles’ Is a Heist Movie Where the Poor Steal Their Money Back From the Rich by Beatrice Loayza 12.02.19
REVIEW: Panamanian Movie ‘Todos Cambiamos’ Is About a Trans Woman Tired of Living a Double Life by Kiko Martinez 11.27.19
REVIEW: ‘La Mala Noche’ Is an Empowering Drama About a Woman Forced Into Sex Work by Monica Castillo 11.27.19
REVIEW: ‘Un Traductor’ Is a Moving Tale About a Cuban Man Assigned to Help Chernobyl Victims by Monica Castillo 11.26.19
REVIEW: Dominican Movie ‘El Proyeccionista’ Follows a Weary Man Who Manages a Traveling Cinema 11.26.19
REVIEW: ‘Café Con Sabor a Mi Tierra’ Is a Gorgeously Shot Drama About Honduran Coffee Growers 11.25.19
REVIEW: Ana de Armas’s Character in ‘Knives Out’ Is the Latina Heroine We Need in the Trump Era 11.22.19
REVIEW: ‘Amores Modernos’ Is a Delightful Mexican Indie With Hints of a Novela Mixed With Melancholy Humor 11.21.19