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February’s Nuevo Noise, @Verito Asprilla caught people’s attention not because of the intrigue of a young voice, but the instinct of a natural rapper. It’s that same sentiment that keeps listeners locked in. Now 22, Asprilla moves between fluid melody and percussive bite with assured command of the beat. Her flow balances conversational ease with deliberate control, shaped through a unique freestyle grounded in the rhythms of the Pacífico. Signing with Discos Pacífico and a collaboration with Li Saumet of Bomba Estéreo marked another turning point. “She was the first global-scale artist who trusted me enough to share a song,” Asprilla says. The moment mattered as a meeting across musical generations between two unapologetic Colombian women, affirming each other’s place. Now, her self-assurance runs through her upcoming debut album, ONCE ONCE, inspired by her birth: Dec. 11 at 11:11. “It was a birthday gift to my inner child,” she explains. The project moves through amapiano and dembow, grounding those sounds in stories of family, love, grief, and the life that shaped her. “It shows all the phases of me.” ONCE ONCE drops March 12. Swipe and check out more of this month’s #nuevonoise in #linkinbio.
Nuevo Noise has returned! For the latest installment we have Colombian rapper, Verito Asprilla. The day Colombian rapper Verito Asprilla became Tumaco’s next musical breakout at 16, she didn’t even realize it had happened. She’d released a song at midnight on Sep. 15, 2020, gone to sleep, woken up, and stepped outside to buy bread like any other morning. “Mamá, that’s her!” a schoolgirl on the street said as she pointed at her with the certainty of recognition. At the store, someone congratulated her on her release. Asprilla smiled, thanked them, and kept it moving, still unaware that turning on her data would make her phone overheat from incoming messages. Her music was everywhere. “The whole world knew I was famous, except for me,” she reflects with a laugh. But it wasn’t an effortless breakthrough. Verónica Asprilla Ledesma was born and raised in San Andrés de Tumaco, Colombia, to a Chocoano father and a Tumacqueña mother, a mix of two Afro-descendant cultures she describes as “both Black, but totally different.” That duality shaped her early. “That mix characterizes the flavor I have inside,” she says, a blueprint that carries into her music. She grew up popular and magnetic, the kind of kid everyone knew. Music, however, was a secret talent she kept tucked away. She had intense stage fright, wrote songs she couldn’t finish, and convinced herself they didn’t connect. Her brothers teased her, but her mother refused to let the doubt settle. “My mom was always my anchor,” Asprilla shares. Even when it felt like simple mother-love optimism, it kept her going. Swipe and read more with @Verito Asprilla in #linkinbio. Credits: Remezcla: @Remezcla ✍️: @jaynetdiaz 📸: @manu_uribe_foto 🎥: @teto_nal Makeup Artist: @lauravelasquezjaramillo Location: @madamecoquettebodega Produced by: @discospacifico / @lloronarecords Creative Director: @boncker Editor-In-Chief: @thatiana.diaz Music Editor: @hoe_doyan Social Media Manager: @alma_sacasa Director of Artists & Label Relations & Executive Producer: @joelmoya
🚨NUEVO NOISE IS BACK TOMORROW🚨 Watch and share who you think is our latest #nuevonoise artist in the comments 👀
#BrittanyWicker, the Afro-Latina contestant from Season 10 of #LoveIsBlind, opens up about confronting #DevontaAnderson.
Nos dias 20 e 21 de fevereiro, Bad Bunny se apresentou no Brasil pela primeira vez. Para os seus fãs que sempre viam o país excluído das turnês do portorriquenho, esse momento foi a realização de um sonho. Mas os shows tiveram um significado ainda mais especial para quem trabalha há anos para promover a música latina em Espanhol no Brasil: DJs, produtores, pesquisadores e promotores de festas de reggaeton. ✍️: @anaribeiro_br. Deslize para ler mais.